Nick Wale Interviews Author Stuart A. Barton About His ‘Hunger’ to Create…

Stuart A. Barton is a writer and, like all writers, he has a story to tell. Life didn’t start for him until 36. By his own admittance, he spent much of his life up until that point “wandering around life aimless and drunk.” Then it happened– as it happens to all of us. He found a direction and followed it. Stuart is now a published author, family man, student and living proof that life can begin anytime you want it to. I wanted to share Stuart with you all. He is going places and that’s a fact. His latest book “Hunger” is currently delighting his readers and I hope some of you become Stuart A. Barton followers. I know I have become one..

Stuart A. Barton

Q) Hey, Stuart! So how has your day been?

A) Busy! Spent the last two days selling flowers with my florist wife. Today, I’ve been working on twenty pages of academic papers for online classes I’m taking. I’ve managed to sneak a little fiction writing in as well– only a couple of hundred words– but the day is still youngish. There’s always time for creation in the day.

Q) One of the things that fascinates me about writers is their thought process. What is going on inside your head right now? How do you create fiction ideas?

A) I work in short stories, and my imagination tends to stay in the near future. So I’m constantly seizing on things I see in the news and online and wondering how our lives might change based on the details I pick out.

Q) What’s in the news right now that sparks your imagination?

A) Well, the meteor in Russia, of course. That’s like candy for someone who enjoys science fiction like I do. It poses a lot of scenarios to play on. The glaring question is, what happens if a larger one hits us, or another disaster befalls us, before we’ve expanded outward from Earth in a meaningful way? I’ve already played on this in a short story entitled Adversary, in which a deserted Earth becomes a bogeyman in the religion of a space dwelling humanity.

Q) How about aliens taking this opportunity to invade? That could be an interesting theory, too. Don’t you agree?

A) Or they could simply be the ones pushing the meteor or asteroid into us. Niven and Pournelle played on that with their Footfall novel. Aliens are wonderful vehicles for fiction. You can use an ‘alien’ mind to explore any aspect of humanity by exaggerating it or absenting it from the aliens you invent.

Q) Do you prefer writing about good or evil aliens? The saviours or destroyers of humankind?

A) For me, the best aliens come in shades of gray, and the best human characters as well. There has been good fiction written where good and evil are sharply defined and separate. There can be good reasons for writing like that, especially if you’re trying to make a particular point. For me, though, the most engaging figures follow a sort of yin-yang principle. The evil contains a spark of good, the good a spark of evil. Often my aliens are simply going on about their business and the reader is left to decide what they think of the aliens. There’s a story in my Hunger collection entitled ‘His Halo’ in which aliens act to sow chaos on Earth. It would be easy to call them evil. On the other hand, they’re doing it in part to protect themselves, fearing what humans might do if they were free to achieve spaceflight.

Q) That sounds fascinating to me. You must put a lot of thought into your writing. Do these ideas just flow or does it take time?

A) My problem isn’t so much coming up with ideas but sorting through them. I keep a notebook with me as I go about my day, and there’s a notebook that lives next to the bed so I can jot down ideas as they come. I have quite a few two or three sentence premises. A lot of them, I’m not sure what to do with; but when ideas won’t come, I pick these notebooks up and go through them. Developing them takes time, and writing them does, too. I often get halfway through a story and need to put it down for a week or a month, and work on something else until I can come back fresh and finish it.

Q) Many writers struggle with writer’s block. How do you combat it, other than using the notebooks?

A) If it’s short lived, two or three days, I take it as part of the cycle of writing. I’ll sit down with whatever story I’m working on and reread it, see if I can jog some more words loose. If a block lasts much longer than that, I’ll write regardless, just get some words on the page. That will often get me going again, although it often leaves me with a big chunk of work to cut out. I’ve thrown out blocks of a thousand or two thousand words that I forced myself to write. There’s usually part of it that I can save and use, that gets me writing again.

Q) Has writing always been one of your dreams? Or is it something you just grew into over time?

A) It was always my dream to tell stories, or at least it has been since I was in first grade trying to read my father’s science fiction books. I wrote a little in my childhood and teens, but never seriously. I don’t think I had enough confidence in myself to believe that others would read them–instead, I invented plots for sessions of role-playing games and entertained my friends. I never stopped reading other peoples’ stories and thinking about what I could write, though. A few years ago, I watched my mother decide that what she had always wanted to do is paint, and she made (and is still making) a serious effort to get her work out there. So I thought to myself, “Why can’t I do that with my own dreams?” Her example and my wife’s encouragement led me to give it a try. I knew I couldn’t do it halfway. It had to be a real try, with serious effort and persistence. I’ve been writing seriously for a couple of years now.

Q) How has the literary experience been for you? Has it been rocky? Smooth? Enlightening?

A) On the whole, I’d have to say enlightening. I do put a lot of thought into my work and I’d have to say that every story is a learning experience. Not just learning my craft as a writer, but thinking more deeply about some aspect of the human experience. That sounds terribly deep and important, but it’s just as simple as the fact that to write about something, I have to think more deeply about my subject than I otherwise would. I don’t know that it’s been particularly rocky or smooth. It certainly hasn’t been a financial windfall, and at times paying the bills is a challenge; but that’s no different than it was before I started writing, so no loss. People are beginning to read what I put out there so I’m hopeful.

Q) So tell me about your published work. What do you have out there on sale right now?

A) I currently have over 30 short stories out as individual e-books on Amazon and all of the various outlets that Smashwords distributes to, like Barnes & Noble and Apple’s iBookstore. The count is a bit lower on Amazon as several of my titles are free. I also have three collections available. The latest, Hunger, is also out in paperback through Amazon.

hunger

Q) How do you find gaining sales? Is it harder than you expected or easier?

A) I wish I knew who said it, but I remember reading a quote about being a professional author: “The first seven years are the pits.” I’m seeing sales grow slowly. I’m still in the nickel and dime stage. I have a few sales each week, and of course the movement of the free stories exceeds what I sell. I’m hoping to beat the seven year yardstick that that quote  establishes. I’d love to be able to dedicate all of my working time to writing.

I’d have to say that my experience has been about what I expected, a slow buildup.

Q) I have to ask,Stuart. Why did you agree to an interview with me?

A) I was extremely pleased to be asked. It’s a great opportunity to let more people know that I’m here. Speaking as a reader, I’ve also been interested to find out a bit more about any author I’ve read, big name or not. I like to read interviews and biographies, to see what makes creative people tick, what drives them. So as a reader, interviews like this are part of what I like to read. It’s interesting to experience the interview process from the other side.

Q) As a reader, who do you enjoy reading? Who inspires you?

A) I’m a big fan of the old big names in science fiction. I grew up reading Heinlein, Asimov, Niven, Blish, and many others. I still love them and go back and re-read their work from time to time. There are a couple of Steinbeck titles that I find especially inspiring as well. Everyone has read Grapes of Wrath, or it seems like it to me… but his In Dubious Battle has to be my favorite.

Q) If you could have written any book from any time period, what would it have been?

A) That’s a tough one. If I had to pick just one, though, it would have to be Heinlein’s Stranger in a Strange Land. What he does there is a masterful and sweeping example of what I try to do as an author: to pick out the foibles of our society and the way we think. To play with our assumptions and point them out to the reader in a way that makes the reader really think hard about his or her assumptions about life. Even more importantly, to do it in a way that is entertaining and interesting.

Q) If you were a reader who wanted to read the work of Stuart A Barton, which story would you start with?

A) Another tough question. I feel a little like I’ve been asked to pick my favorite child. I’d go for Labor of Love first, though. It’s a very short story, under 2,000 words, and it’s part of the ‘Hunger’ collection. I’d pick that one to begin with because I’d have to say it’s the one that gives the reader the deepest look into my own past. It’s a story about addiction and failure, and it has a strong autobiographical element. It’s a story that sprang from the alcoholism that I suffered through and finally escaped.

Q) You’ve been through a lot and I’m sure you’ve been asked this a lot. How would you describe the man you are today?

A) I’d have to go with a very simple answer: I’m an adult with a family, a dream, and a lot of writing to do. Which seems like a silly answer to me, but it’s the plain truth. Looking back, I spent a lot of time being an overgrown child. Until roughly age 36, I wandered through life, aimless and drunk most of the time. The last six years have been years of explosive growth for me as a responsible human being. I am dedicated to growing and learning for all the years I have left to me.

Q) Thank you for those wonderful words, Stuart, and thank you for a great interview!

A) Thank you. It’s been my pleasure.

It strikes me that we all have a purpose. I don’t think the purpose of any life becomes clear until it becomes clear. I have felt directionless at times, but a few steps forward and you can start to find your way. I think Stuart is a prime example of a man who found his purpose and ran with it. When a writer acts professionally, writes professionally and strives to create– I think that’s a writer who’s found their calling…

So You Want to Be an Illustrator? Nick Wale Grills George Vega

Publisher George Vega sat with me for the second part of his interview series. See Part I here. I had some questions already lined up, but we didn’t use those. George was too excited about Vegamation’s new release called Introducing…Vol 4. George explained that Vol 4 is a super project that took the creative talents of five artists. I threw my questions out of the window and started asking about the business of being the boss of Vegamation Press…

frog

Q) George, you seem pretty excited! What’s happened?

A) I am very excited about our latest release/project called Introducing… Vol 4. It showcases five artists and is VegamationPress’s flagship title. Here is the Line-up!

Andrew Tunney from the UK
Shawna Mills from NY
André Araújo from Portugal
Alessandro Micelli From Italy
George Vega (that’s me!) from NJ

Q) How did you put together such a super team of talent? That must be one big coordinated effort to pull all of that together?

A) It was a combination of things that brought us all together! Let me explain.

Andrew: I watched him on DeviantART and asked him politely and he said yes, enthusiastically. Shawna: I met her at New York CC through a friend and I saw her work, then I recruited her. André sent me some fabulous artwork because he was looking for a publisher and I let him know that we had a spot in Introducing and we could put in some of his work in the book. Alessandro is from DeviantART, too. He joined as a member on our DeviantART group and his artwork got my attention. And, last is me…I actually refrained from putting in my artwork for three years because I knew the time was not right until now.

Q) Do you get together and brainstorm ideas before you started putting concepts together?

A) The formula is simple. I give them a title page to do– any ID image like a logo, self portrait or anything. In the other seven pages, they can use any image they want, maybe a three page story and some pinups or all pinups (except copyrighted material). Believe it or not, our first volume had images from Marvel that they allowed us to use since that artist asked permission from her editor. There is some Vamperila stuff, too, in Volume 2 where they gave us permission. Some people talk about the EVIL big guys but it seems like I got lucky, maybe? Some of us send our sketches to each other, which I encourage– not for me to art direct, but to get a group dynamic going.

Q) As a publisher and as an illustrator, what do you look for in talent, George? Any specific things?

A).Talent-wise I look for different things. Different styles. There is no question that they must know all the basics and that their art just ROCKS. I need different styles in the book so I do my best to get artists who appeal to different tastes. Maybe a guy or gal is very anime, eastern or western, possibly a painter, or even an abstract artist– or rather, one who distorts on purpose and with control. All the people I work with are immensely talented, but some are just not “names” yet!

Q) For all those young artists out there, what do you turn down straight away? Is there anything that really annoys you?

A) Heh! What “annoys” me? Sometimes, I look longer at “annoying” to make sure it’s not genius. If basic skills are not there though then, yes, you will be turned down very quickly.

Q) Do you ever have to reject good work because it’s just not what you want?

A) Yes, kind of. If I have one person who does amazing super hot women I can’t put another person like that in the same book. I will pick one and keep the other in mind for next time.
Geo

Q) Can I ask, what made you start Vegamation? How did it come about?

A) I started with a friend from graphic design school. A few years after graduation, he still had my phone number. I was owner of a small printing company and he wanted to know if I could print books. I told him “no,” but I figured I knew enough people in the printing industry that I can get it done somehow. So we met for coffee and talked for hours. I saw his artwork and was floored. At that time, I barely drew anything; but I still had an eye for the GOOD stuff.

His name is Coran Stone (aka Kizer on DeviantART) and he is a very popular and well-known artist. He said he had some friends that wanted to do something together as a book. So we brainstormed– I did the homework and used my capital to put the first Introducing book together. With my webdesign and business background, I had VegamationPress up and running in no time. I have a funny story about when we met in school. Don’t know if this is too off topic?

Q) I’d like to hear it!

A) I was at my graphic design school using the computers. It was a dark room and someone jumps in the chair next to me and I was about to chop his neck. It’s this dude, about 20 years old with a mustache that didn’t quit. I mean like a cigar on his upper lip. It was Coran. He says, “I hear you’re good.” I was like, “I’m OK…” Then he said the teachers were talking about me so he wanted to meet me.

I relaxed and then I noticed he was a smart and talented guy who wanted to know who’s who. Years later when we met at the coffee shop, I asked him what happened to his ‘stache and he laughed and said he got rid of it. I asked him, “Why did you have such a mustache, dude?”  He said, “I used to love Magnum P.I.”

I still laugh! Who loves Magnum P.I. that much?

Q) I loved that show as a kid! That’s pretty funny, George.

A) Yes, I thought it was funny. I hadn’t seen a “Tom Selleck” since Tom Selleck!

Q) Okay, so how do you market your work?

A) I market our books through social networks. DeviantART is one major part since a lot of artist like to buy artbooks and support other artist when they can. I do everything from Twitter to FB to walking to Comic Book Stores and making deals with them. I also encourage the artist to share the information about the book they are in.

Q) Is Vegamation a profitable business? People say that publishing does not make money anymore. Would you agree with that?

A) Profitable? No. Am I losing money? NO. Do I love doing this? YES. It’s been tough for the big three in comics to make it– imagine what it’s like for the little guy? I have a great relationship with Amazon, so I can move books to break even. Amazon is my major sales portal and Facebook is an amazing sales tool.

Q) I don’t think Facebook’s full potential has been realised.

A) Yes, I agree. It’s building up slow. The faster the build up, the more risk you have to take.

Q) What is next for Vegamation? Any big projects coming up?

A) Well, we do have a volume of Introducing every year so. By the end of this year, we will have Introducing…Vol 5. I’m looking for submissions, folks! I am in talks with some great artists to publish their books for the convention season, like we have in the past. I’m also thinking of a graphic novel– it will be the first for Vegamation press, but if it’s right we can make it happen. I personally have been developing a story for a few years now and have characters planned and the “world” created. So maybe we can release an anthology but only of completed stories or arcs. There are too many incomplete books out there and, as a writer, I am sure you would agree with that.

Q) Certainly, good ideas are lost like the bubbles in wine. It’s a shame, but that’s just the name of the game. I’m sure you’ve lost good art work too.

A) Yes, in a way. Sketches of stuff I could develop. That’s why my graphic novel is in a series of notebooks and sketches. I keep notebooks just for developing the book.

Q) Well, thank you for your time, George! This has been another fun interview with you!

A) No problem, Nick! Always fun!

g

George went back to his busy schedule– lining up another bestseller for Vegamation, no doubt. Not only is he a great illustrator, talent finder, and businessman– George is a visionary, and I think all you artists reading this should approach him. If you want to be the best, you have to learn from the best.

Check out our previous interview here and visit VegamationPress’s website.

Poetry is the Music of the Mind- Nick Wale Interviews Published Poet Marianne Zirkle…

Poets are special people. I have found that they are some of the oldest spirits and have a wonderful view of the world. A few months ago, I interviewed a fantastic photographer called Ray Zirkle. See that interview here. Ray and I had a great time and recently he contacted me to interview his wife, Marianne. He explained that Marianne is a published poet and asked if I would be happy to interview her. I said yes– what else can you say to a great guy like Ray? We set a time and I met his charming wife. I hope you enjoy the words of one of my newly discovered favourite poets…

Marianne Zirkle

 

Q) Hi, Marianne, I’m Nick! Great to meet you!

A) My pleasure to meet you, Nick.

Q) Can I start by asking you to tell me all about yourself? Who is Marianne Zirkle?

A) Well. On the outside, for the last eighteen years, I have been an adult educator. First, I worked with victims of domestic abuse and sexual assault, and then with perpetrators. A few years later, I focused on employment– I worked with individuals with criminal backgrounds and those on government assistance. Now, I am working to help individuals with disabilities gain employment. Ah…but on the inside, I am a poet.

Q) A poet with a recently published second book, am I right?

A) Yes, my most recent book is Rhapsody In Moonlight–The Poetry and Music of Dreams that came out in 2012. My first book, Cool Shade And Sweet Water came out back in 2006.

rhapsodymoonlightcoolshade

Q) Two books– you must be proud to have two of them written and on the market. What made you decide to get published, Marianne?

A) As a little girl I had this dream…It withdrew to the background for a while as I raised my family; but then in 2002, I started writing again and I had thousands of poems. I thought they were too good for me not to share.

Q) What is the writing process for you? Do you spend long nights with music just writing away? Or quiet afternoons? What works for you?

A) No, it seems to be stress! As you can imagine, I work in a very stressful environment. I noticed that the more pressure there is during the day, the more likely my poetry will take on an ethereal feel. Often it is a word or a feeling or something hidden that will inspire me.

Q) That’s an interesting concept. I have never heard that answer before. When you feel inspiration, do you just have to sit down and write? Relieve the stress?

A) Oh, yes. Often a word or phase “haunts” me and I get no peace until I sit down and let it come out.

Q) How did you go about getting your first book published? What was the process?

A) It isn’t easy. Finding a publisher was hard. I went with a “POS” Publisher which means “Print on sale.” Then there was all the editorial work. I love writing, but publishing…not so much.

Q) If asked by a young writer, would you say that the effort is worth the end result?

A) Oh, Yes! Poetry writing is something that comes from so deep inside it hurts not to fulfill the need. Publishing just seems to be one of those thing a poet has to do to help ease the ache.

Q) Let’s talk about sales. Have you had a strong reception to your work so far?

A) I am not going to retire on it. I once read a quote from Henry David Thoreau, who self-published. He was complaining that he paid to print 1,000 books and was not happy because he had 995 left. POS publishing does not cost the poet. But it is still a hard sell.

Q) I guess it’s all down to exposure and sparking people’s imagination. Have you done many interviews?

A) The first book, yes. With Rhapsody, not as much. Hopefully this exposure will spark something. Rhapsody is based on my dreams. I dream in many dimensions often accompanied by a musical tone that I have identified as cello music.

Q) You actually hear music in your dream?

A) Yes, like background music. A tone actually.

Q) Perhaps it’s something with relevance to a past life?

A) Past, present and future. Faces I have known, faces unknown but recognized, and also unfamiliar faces.

Q) I’m a great believer in what we see in dreams. Too much happens later on for me to dismiss it.

A) I know that feeling. Dreams are the Soul’s data processor.

Q) Yes, indeed, I’ve always tried to listen to them. Sometimes they fade away too quickly for my liking.

A) Each night you have to make the decision to remember your dreams. It is best if you give yourself that suggestion when you are in that “twilight” sleep, just before dozing off. Then keep a recording device near the bed. A pen and paper will do. In the morning you will remember something. Record it. Later look at it and you will remember more. Write it down. Each night you will remember more…and more…and more…

Q) Where can people pick up copies of your work, Marianne?

A) Barnes and Noble:

or Amazon:

Q) Thank you for your time!

A) No problem! Have a great night, Nick.

I hurried off to read the poetry of Marianne Zirkle. What did I find? Beautiful words and feelings. If this is what you get from listening to your dreams, then I will buy that.

 

Stamp Out the Neanderthal- The Future with Ken Howard

When a new idea comes into play people don’t always take to it. Change is difficult and sometimes the hardest change is enacted only through necessity. Interviewing Ken Howard was one of those times I realised how backward we are in some ways. We still use some of the most outdated technology in our work. It takes vision to know the way to go. Read my conversation with Ken and you may well see that future paths are already envisioned– Ken wants to share his vision with you all…

Q) Hi, Ken, great to meet you! So tell me all about yourself.

A) I was born on July 9, 1958, the youngest of three brothers in Northern Virginia. I spent many a beautiful summer weekend camping in Ocean City, Maryland and whiling away time fishing on the banks of the Potomac in Patuxent River. I went to a private school and then I graduated from a college prep school in beautiful Breton Bay, Maryland– oh boy, back in 1976. Upon graduating in 1976, I attended a four year mechanical course at a union school and I achieved proficiency in math and sciences. Then in 1981, I graduated and landed on my feet working in the field of refrigeration, air conditioning, mechanical engineering, and hydronic systems.

I guess being the youngest brother I was always told, “You can’t do that,” and I always answered back, “Yes, I can.”

Q) Would you say that a “yes, I can” attitude has helped you achieve through your life?

A) Yes, very much so. The attitude “yes, I can” has been my modus operandi because I was always told that I couldn’t do it and I always proved them wrong in the end. I always strove to show them that I could do it and I often amazed many of my peers and my family members. I don’t let anything get in my way and I do not take no for an answer. I always think outside the box.

Q) Tell me about some challenges you faced and how you dealt with them?

A) I’ve always been a mover and a shaker in my industry of heating and air conditioning. I’m always looking to achieve alternative or sustainable methods; always looking for a better way to do things and change conventions, so I have always been challenged. However, the biggest challenge I ever had to overcome when I was about thirty years old. I had always wanted to go to Australia to live and work there and I made that dream come true in 1990.

I was in Washington, DC and found the Sydney Morning Herald newspaper to look for jobs. After spending approximately $800 faxing my resume, I found several companies that were more than glad to hire me and one wanted me, in particular. The company was called Complete Engineering and was based out of Sydney, Australia. I was extremely delighted with them; but even more so when they sponsored me into the country.

Q) Why did you choose Australia? What made Australia the obvious choice for you?

A) I love the people of Australia. I love the country, I love the work ethic there, I love everything about that country. Although it was quite an adventure, my gut did get homesick. Being the baby and the youngest, I got homesick after a while and came back to the States.

I actually think one of the next biggest challenges that I faced was probably a short time after I got back from Australia– maybe about six months or year later– I got the urge to travel and I got a job in Panama. I got my Bachelor’s degree in mechanical engineering, and refrigeration & air-conditioning, and hydronic systems– building automation systems. The area I really like is sustainable energy and sustainable infrastructure.

Q) That is the subject of your latest book, correct? Sustainable energy and infrastructure?

A) Yes, that is correct, Nick.

Q) What is sustainable energy and infrastructure?

A) Well, that’s a great question! Here we are in the 21st-century, two decades past 1990, and we are using global positioning systems and satellites and we are talking at the speed of light, literally, through fiber-optic cables; yet were traveling on 150-year old roads. Why is that?

Sustainable infrastructure is infrastructure that has zero carbon footprint. We can build better energy systems and we can build better transportation systems that are much faster. It’s the future.

Q) Your book is basically a blueprint for the evolution of our technology, then?

A) Yes, exactly right. It’s evolution. That is a great way of describing it. The Cro-Magnon man, for example, was inferior to the Neanderthal; but the Neanderthal did not have the brainpower of the Cro-Magnon man. The Cro-Magnon man with his technology moved on and progressed and that’s what we must do. We have the technology to do it. This is a vision that is within our grasp.

Q) So would you say it’s true that the world we live in is rather “Neanderthal” compared to what it could be?

A) Yeah, we are flying around in airplanes that are constantly delayed from weather and all types of other reasons. It costs tremendously more to do so than if we were using the technology that is already out there and ready to use.

Ken Howard

Q) In your new book, Internomics: The Lateral Collective Interface, you explain how we can modernise the world. Where do we start?

A) There is a technology that Westinghouse has already developed and is already in use in a dozen locations worldwide. It basically takes our garbage landfills and converts that garbage into energy. That is the way of the future, Nick!

This technology is called plasma enhanced metal and basically it uses the fourth state of matter which is a plasma field. Plasma is the forestay to matter; any material you put through it gets broken down to the atomic level and can be reconfigured into any other useful material that we need.

It’s estimated that we have 4000 landfills across the country and every one of these landfills could be converted. We could supply 100% of overall fuel needs, electrical needs, and many material resource needs from these landfills. This is the kind of evolution my book explains. The evolution that will allow us to move in new and exciting directions.

Q) This is fascinating, but I have one big question. Why haven’t our governments bought into this new idea?

A) It’s the same old song and dance, Nick. The powers that currently exist do not like change. No one likes change, they resist change. It’s like Gandhi once said, “The first day they ridicule, and then that make fun of it, then they attack it, and then they accept.” The four stages that people go through when they resist.

Additionally, you have to realize that the current infrastructure that’s in place right now is the hydrocarbon society is basically saying, “I have a deal set up with the government. We are making money and we won’t turn our backs on that.” Change takes time, I am afraid, Nick.

Q) Have you discussed this at any length with any politicians? It would be interesting to hear their excuses.

A) No, I have not tried to speak to politicians about this. I just to wrote the book to get the idea out there. The book tells it pretty much as it is and I think it can do well. If the people want the technology then they will have it. It is my plan to make sure the facts are known and out there.

Q) Your focus is to educate people about the possibilities? That’s all?

A) No. Not what can be. I am telling them what already exists. These technologies already exist in plants that are working worldwide right now and they are profitable. They have made money from day one; they do not need subsidies. These technologies that I speak about in the book are real and it’s not what we could be doing, it’s what we already have. I just want us to do it!

Q) What do you hope to achieve with your book? Do you think you can get this out there and make an impact?

A) I hope to educate people that this technology exists right now. It is off-the-shelf ready to go. Companies are ready and all we need to do is have the political will and the people to get behind it and get their Congressmen and Senators and tell them that this is a way for America to be number one.

Q) Well, I’m impressed! The world will be a different place when all this happens. Where can people get Internomics:The Lateral Collective Interface?

A) The paperback book is available online at Amazon.com. It is also available on my website. The e-book will be available in about one week. I’m doing all this myself– I built the website and designed the cover jacket, too!

internomics

Q) Are you embarking on a lecture tour? This sounds like the perfect enterprise to tour with.

A) Yes, I will do lectures; as a matter-of-fact, I’ve already spoken to one gentleman who’s a professor at George Mason University and he’s going to be contacting me to speak to him and some his students. So, yes, I’m open to doing lectures and I can do a PowerPoint presentation for thirty minutes to an hour.

Q) Thank you for your time, Ken.

A) My pleasure, Nick! People can go to the website and get a pretty good feel for what the book is about.

Well, you heard it here! The resources are out there to turn our garbage into energy. Read Ken’s book and support a worthwhile enterprise for our future.

When Tragedy Strikes: Jeff Bishop Strives to Help His Cousin Britanny…

Jeff Bishop is an author. He has written an excellent book called A Cold Coming detailing a very tragic experience– a family secret now pieced together for all to understand. He is also a man on a mission. The book hasn’t been written for his own personal profit. Jeff now sells his book to help out his cousin Brittany Jones Hallmark . She is a girl who, against all the odds, achieved; but due to a cruel twist of fate found herself in a car accident. She has survived, but she now needs operations, medical care and attention. Jeff sells his book to help her through this difficult time. I asked Jeff if I could interview him– just to do my part– he said yes and we sat down for an interview. I just hope we can all help Jeff to get Brittany the help she needs…

jeff bishop

Q) Nice to meet you, Jeff! Tell me about yourself..

A) Nice to meet you too, Nick! I’m a public historian. You ever heard of such a thing? Most people haven’t, so no shame!

Q) Well, I better just ask the question! What is a public historian?

A) Funny you should ask. Well we fancy ourselves a bit outside mainstream academia. We don’t write about history primarily for historians, as many historians do. I say this as someone who just had his first peer-review journal article published, so maybe we do a little of that, actually. But we like to get outside the ivory tower, outside the academy.

We don’t look down our noses at what local historical societies are doing. We want to get involved and help them interpret history for the public.

Q) What’s your personal area of expertise Jeff?

A) I edit a blog called On the Trail of the Trail, so a big area of interest has been Native American history and Indian Removal. I’m president of the Georgia chapter of the Trail of Tears Association, and I serve on the national board.

Lately, my interests have veered into a new direction. Last month, I started a more experimental and less news-oriented blog called A Cold Coming. Originally it was just to promote my new book, but it has morphed into its own thing, really.

Q) How has it evolved? Tell me about the morphing process.

A) Well, it’s non-linear, for one thing. And that’s quite different from what I’ve done before. It’s also quite different from the book it’s supposed to be promoting.

I did a lot of interviews with the oldest members of my family about two decades ago and put the tapes aside. What got me started was a massacre that happened back in the 1930s. It was a big family secret.

Only in the past six months or so have I come back around to it. The research was all done — it was just a matter of piecing everything all together.

Q) The real base element of the work of any historian is ‘piecing it together,’ right?

A) Right! (I should mention at this point that I work at the Department of Public History at the University of West Georgia in Carrollton, GA. I’m pursuing my graduate degree.)

So, the material I’ve gathered is taking two forms. One is the linear story, a “true crime” story set during the Great Depression, and that’s the novel. But then the blog offers this interesting interactive element. I’m using the blog to post all the research that went into the novel, as well as actual sound clips, old photos, etc. It’s like a massive collage; or an extended beat poem, but set during the 1930s. And to flesh it all out, I’m also including links to videos that describe a lot of events and the cultural milieu that’s referenced in the novel. The blog is stream of consciousness, like a dream — as if you’re floating through the rural Deep South of the ’30s.

Q) Jeff, is this the book you’ve always wanted to write?

A) Yeah, ever since I was a kid. One of my blog posts is called “What’s wrong with Grandma?” That was the start of it.

I knew that there was something not quite right with my grandmother, but no one wanted to talk about it.

Q) Did you ever ask her what was wrong?

A) No, never. She never talked about it to anyone. She took it to her grave. But her older brother, on the other hand, he was a fount of information. So the book focused on his experience of the events. His version, you might say. He doesn’t always tell the truth, though. I discovered he’s kind of an unreliable narrator. The whole idea of an unreliable narrator fascinates me. That’s really at the center of the blog.

Q) So tell me what is the book about? You have stirred my interest!

A) My great-grandfather was a school teacher at one of those community one-room school houses your grandparents probably attended. We still have the little bell that sat on his desk. It’s cracked, which is an appropriate metaphor. Madness ran in the Latham family for generations. I found article after article about members of the family that murdered other members, that got sent to the state insane asylum, etc. But everything seemed all right with my great-grandfather, until it wasn’t. Then some very bad things happened. He was under a lot of stress. There was the Great Depression, of course, which devastated this family financially. He had also been forced to return to farming, which he hated. He had hoped to escape to the city, but things didn’t work out for him. While he was teaching school, he became romantically involved with one of his female students. It all went downhill from there. It all culminated with a horrific event on March 18, 1931.

Q) Well, don’t give away anymore details! Did you self-publish A Cold Coming?

A) I did. It seemed to be the way things are going. I didn’t even submit it anywhere. I liked the idea of having complete control over my work. I knew what I wanted to say and how I wanted to say it. These days, you really don’t need a conventional publisher to do that. It wasn’t a good fit for an intimate family story like this. Plus, this way I get a lot more royalties, theoretically, and I’m doing this to help raise funds for a cousin of mine who was in a horrific accident last week.

a cold coming

Q) Yes, I saw that on a Facebook status and that’s why I contacted you. I knew my readers would want to help out. Could you tell them the reason you are now giving your royalties to your cousin, Jeff?

A) Her name is Brittany and I’ve known her ever since she was born. She had some difficult circumstances while she was growing up. Her father was in and out of prison, the family never had much money at all. They lived in a trailer on my grandfather’s property in Alabama. Brittany always got As and you could tell she really wanted to make something of herself. She wound up going to community college, and then to the university to study nursing. She became an ER nurse and she had just begun working as a nursing instructor. She was excited about getting her doctorate. She just had her first child, too, a little boy; but on Friday she was in a terrible accident and lost her left arm. She has gone through one surgery and has two more to go, I believe. She’s stable. This all happened right as I was getting ready to publish the book, so it just seemed fitting to donate the proceeds to Brittany and her family. I know they’re going to have a lot of struggles in the coming months.

brittany

Q) I’m sorry about that, Jeff. I really want you to make as much money as you can for her– It’s such a noble thing you’re doing.

A) I just want to help. She has come so far, from such trying circumstances. It’s really not fair. Of all my family members, she is one of our brightest stars.

Q) Yes, it seems to me that she has done wonderfully for herself.

A) She really has. This is so undeserved. That’s one of the themes of the novel, actually. When tragedy struck my family in the ’30s, the kids were faced with the same questions. Why did this happen? Why us? Of course there is no answer to that question.

Q) That’s the most frustrating part. There is no answer and there’s no rhyme or reason to what happens half the time. When things like this happen it’s just sad. Where can people get the book?

A) It’s in three editions. There’s a Kindle edition on Amazon. That’s easy enough to find. And soon there will be a trade paperback edition on Amazon, as well. (Right now it’s on CreateSpace but in a few days it should move over to Amazon.) Just search for “A Cold Coming” and it should come up. There’s also a hardback edition on Lulu. There are links to all three editions on A Cold Coming blog.

Q) Where can people get in touch directly with you?

A) My email address is wjeffbishop (@) yahoo.com. I’m also on Facebook.

Q) Thank you for your time, Jeff, and I hope people really get together and help you.

A) Thanks, Nick.

Guys, if ever you needed to buy a book, this is the one. This isn’t just a case of promoting a book. This is helping to save a life and help someone along the way. I am sure that many of you feel, as do I, that Jeff is doing a wonderful thing. Why don’t you head over to Amazon and pick up the A Cold Coming or email Jeff? Just don’t stand by and watch someone stumble. This was an unfair act of fate and we can help rectify it. We can all do something to help Brittany. God bless…

 

Kind of Like Jesus: Paul W. Meier Reflects on Faith Today…

Paul W. Meier is a guy I recently started to get to know well. We had our last interview scheduled for today and I wanted this one to really show the faith and beliefs of a man I have immense respect for. I wanted to know what he really thought about the religion he  writes about. I wanted to know what he really believes. What I found was not a surprise. Paul is a forward thinking guy with very practical beliefs. He believes in life, love and living. He believes in the word of Jesus, but believes that he himself can help the world, too. I think his opinions are noble and, through his work, he is achieving his goal…

Paul Meier 4

Q) What is the most important aspect of being a minister to you? What do you really need to be a minister?
A) In two words: know yourself…improve yourself…love yourself. I guess that’s six words. I’m still working on that. You’ll do a lot better at helping others when you take the most time to work on removing the log from your own eye.

Q) I guess it is a learning curve to be a minister. You are faced with new problems everyday. Would you agree with that?

A) It’s a learning curve to be human. I think I’m finally (at 62) learning how to live life to the fullest by trying to live in the moment, to appreciate what I have, and do the best job I can with what comes my way. Of course, that still requires gaining new knowledge and recognizing there’s a lot to learn.

Q) If you were talking directly to a young man or woman about your profession, what advice would you give?

A) Become a minister if you can’t not become one. I hope those who feel called into the ministry today will do so because they want to change the church rather than to join the church of antiquity.

Q) You mentioned ‘change’ there. Do you believe that change is a good thing for the church?

A) Anything that doesn’t change, dies. The church is dying because it thinks it has to believe the same things as were taught since the fourth century. That’s not faithful – that’s dumb. I can look at sermons I preached when I got started ten years ago and think, “I’d never preach that again.” My concept of God has changed in ten years. And we’re supposed to go by the concept people had of God in the fourth century?

Q) That, I would say, is a very strong point of view. Do you believe the church has become irrelevant then? Has it become outdated?

A) It’s relevant – and a blessing – to those who grew up in the church of the 20th century, but that’s what they were taught. It’s pretty hard to give up what you’ve thought would get you to heaven for six or seven decades. I guess that also means you have to become a new person – and that’s hard for people to do – change.

As for the church of today, we need new and creative thinkers in the church who can point to a better way of being Christ in the world, not to only worshiping Christ in a building on Sunday mornings.

Q) Would you say that the theory of God being “everywhere” and not just in church on a Sunday morning is valid? You don’t have to go to church to pray?

A) My opinion is that God is everywhere, including within you and within me. That means how I treat you is the same is my treatment of God. “I was hungry and you fed me.” The value of going to church is to gather together with others who are trying to improve themselves and the world by learning that God is within each of us. The Sunday church thing is a great practice so we are encouraged to be all we can become, to support each other, and to be reminded that we are blessed to be a blessing to others.

We are also to counteract the worldly way of thinking that says it’s okay to repay evil with evil – the eye for an eye thing. That’s why I wrote my newest e-book and released it last week – Be the Light: Overcoming Evil with Good.

bethelight

Q) You have a new book out this week? Tell me more about Be the Light: Overcoming Evil with Good?

A) It’s a response to the tragedy in Newtown, Connecticut in December when twenty children and six adult staff members were killed in an elementary school. A popular news correspondent tweeted that people should think about doing 26 random acts of kindness in honor of the innocent victims. It was a wise and compassionate suggestion. I found quotations from many of the world religions that said, “Repay evil with good.” The wisdom has been around for thousands of years, but few people follow it. My e-book lists the quotations, suggests why it works, and then gives 84 suggestions for doing acts of kindness. It’s free on KOBO, and since Amazon and Barnes & Noble require a price, it’s 99 cents (until they discover it free on KOBO and I hope they will price match it). All profits will be given as scholarships to financially challenged families of preschoolers in my community.

We won’t change the world until we change the way we teach our children to respond to evil.

Q) Does your community have a lot of financial challenged families? Is that a prevalent problem in your area?

A) Yes, it’s amazing to hear that over 60% of children in our elementary schools are on some kind of low-income subsidies that help pay for school lunches. I’m speaking only of the county in which I live, not statewide.

Q) That is a shocking statistic. How does that make you feel?

A) Like a very small fish in a very big ocean…so much need and so much to do. Yet, I know I can’t fix it all. However, maybe I can encourage a few more people to help.

Q) What is considered “poor” in your town? Lack of food? Health insurance?

A) That’s a good question, Nick. Poverty is more than financial. It starts with lack of self-esteem or self-respect. We learn to think less of ourselves as children, and the church doesn’t help us when it teaches that we are “poor, miserable sinners.” But to answer your question more directly, the poor in my county aren’t as financially depleted as they are health depleted. Many receive disability payments for having been injured while working (but I have to say that many have abused that part of the system). The truly poor get a meager amount from the state plus food stamps that can’t be used for tobacco or alcohol. In the overall scheme of things, our poor still receive more than most of the poor in third world countries.

Q) In England we have a social state– free healthcare, disability payments, free cars for the disabled, carers. Do you think a system like that would benefit America?

A) Yes, but too many capitalists are afraid of a government-run social service system. They are afraid someone will take more of their money and they’re afraid of not being able to get preferential treatment because they have money. They don’t trust government-run services because too many have been abused (usually by capitalists trying to make more money)! It’s a self-perpetuating cycle, just like repaying evil with evil.

Q) Do you think greed is one of the biggest problems in modern America?

A) Greed comes from a scarcity mindset– the glass is always half empty rather than half full. I think the real definition of lust is wanting more than you need. And the biggest problem for Americans is not being able to live in the moment. Tomorrow always looks better than today. Yesterday was always better than today. People don’t know how to live in today. So they can’t see the abundance all around them. That’s the theme of my next book in the In Living Color series – it’s called In Living Color: Heaven.

Q) You are a really forward thinking guy. Many believe ministers are conservative with staid thoughts. You strike me as a guy in the moment who wants to make change– do you find opposition to your opinions?

A) Yes. My first book in the series was on the Lord’s Prayer. My goal was to help expand the beauty and meaning of the prayer for people. Four people gave it a one star rating on Amazon because it wasn’t the traditional approach that affirmed God as a male humanoid figure that we should think of as our “father.” All I did was quote another author’s translation that he took from the Aramaic word for “father” and made it more abstract…”thou from whom the breath of life comes.” They called it “new age.” They couldn’t even think of God as more than a human in the sky sitting on a throne, holding a hammer and switches to a trapdoor that opens into heaven or hell.

Yet, Jesus spoke in Aramaic. Even the Greek word for father means “one who originates life.” In the first century, only the male seed was given credit for bringing forth life. The female was merely an incubator.

Q) People trashed your work for having a wider opinion of our creator? I’m sure many more welcomed your thoughts though, right?

A) Yes, I received many good comments with 4 and 5 star ratings.

Q) How have your fellow ministers taken to your work?

A) Ministers are a breed of their own. They like to impart knowledge but they don’t often like to read it from people they drink coffee with – kind of like the “prophet in his own country” attitude. One day, when someone “important” notices and makes a comment, they might give it a look. I’ve only had my work out there less than a year. I can’t get impatient.

Q) What do you think of guys like Joel Osteen who are preaching a new message to a huge audience?

A) Joel Osteen has helped more people to seek and find abundance in life than most who criticize him for not preaching old time religion and theology. They come to listen to him and turn on their television sets to watch because he gives them a message that will help them improve their life today. That’s why people were drawn to Jesus– because he helped them in life today– not because he promised them a better life when they were dead. What kind of sense does that make? You’ll be better off when you’re dead?

Q) Any last words, Paul?

A) When people stop idolizing the theologies of yesterday and realize God gave them a brain to use for themselves, religion might become more relevant, and it may begin to attract people to itself because the church has become a sanctuary of peace, a beacon of hope, and a hospital for the wounded. Kind of like Jesus.

 

Illustrating a Point– Nick Wale Interviews Publisher and Illustrator George Vega

On my wanders around the world of the Internet I find some interesting folk. Today, I want to introduce someone who really has something to offer all you talented artists out there. George Vega is a well-respected, talented illustrator. He is now a publisher and he wants to work with both new and tested talent. Let George explain…

George VegaQ) Hi, George, let me ask you to begin with, can you describe yourself in your own words? Who is George Vega?

A) Hi, Nick, I would describe myself as a nice and patient guy. It feels to me that people like being around me. I’m awesome at parties! (laughs) I work hard and believe that many have more talent than I, but few can outwork me. This may come from my Kung Fu background,

Q) Kung Fu? So you’re a martial arts expert as well?

A) I am a Black Belt in Northern Shaolin Kung-Fu. I’ve competed in forms and weapons competitions NASKA from 1999- 2002. Back in 2001, was ranked second in Chinese Open hand forms and Chinese style weapons. So, ‘expert’? I don’t know, but I truly love to practice and train. I’m always trying to push myself and understand why this martial art has lasted about 1000 years.

Q) Of course, martial arts centres around patience. Would you say that’s where you picked up your patience?

A) Yes, your right. That’s where my patience may have come from. It helps me deal with people and stand up for myself in a verbal sense.

Q) You are a talented illustrator and graphic designer. Did you have to push yourself to become so good at what you do or did it come naturally?

A) P-U-S-H!!!! Ha! I think the passion is natural. I went to F.I.T. (Fashion Institute of Technology) in New York, and my focus was not right those years. Truthfully, I had it easier with graphic design.

I studied graphic design after really not doing much with illustration for years. Graphic design did flow but did not fully satisfy me creatively.

Georges

Q) The fire was still burning to do more with your talent? Push it further?

A) Yes, I believe so, because you practice and push yourself to your limits. So, at times, when I watch a movie or stay on the couch watching TV, a little voice goes off in my head and says, “Get to work, you have to keep developing– keep pushing.”

It’s the same voice that would help me as I trained with my Coach and Sifu. However, the answer is certainly ‘yes’– I pushed myself to achieve my current abilities.

Q) Has moving into publishing dimmed the fire at all?

A) It’s tough and it does steal some creative and work time, but I’m trying to cultivate the publishing end of things and want to work with quality people and artists. If I wanted to, I would print cards and hand them to EVERYONE at Comic Con’s Artist Alley and just worry about revenue and getting sales, but I don’t. I try my best to get behind artists who are doing top-notch work, print their books, and showcase them. It would be great to have a full steam ahead publishing company like the big boys where I could also provide creative services.

Q) Are you aiming to become one of the “big boys” in the future? Is that your next goal?

A) Yes, that’s what I’m working on. I can provide publishing services to artists as well as illustration work to other companies.

Q) Are you strongly connected in the world of publishing? To other artists? Other publishing companies?

A) Artists, yes. Some are great friends, too, or we have become friends. Companies– that’s growing daily. I keep making contacts.

Q) As an up-and-coming publisher, how do you feel about the current trend of self-publishing?

A) I think it’s very cool to have that freedom because it gives a chance for that little guy to make something happen. Unfortunately, when you self-publish, you don’t really know if you have something good or if you may lose a lot of money. The kickstarter thing is awesome, but I just hope people don’t get carried away with the capital and not take the opportunity to build something significant. Either way, let people be and the cream always rises.

Vega

Q) I read about a lot of writers and artists who lose hope and think they’ll never get recognised for their talents. Did you ever feel as though your talents would never be recognised?

A) All the time…

I wonder if people actually think I’m talented or not. All I know is my whole life I loved to draw and I loved cartoons. As a kid, my favorite cartoon was Voltron. I watched the credits, wondering if I could contact one of those people to teach me. Little did I know that it was all done overseas. I would like to say that patience is key– I am not a phenomenon– I am just lucky enough to know my passion.

Q) George, what would your advice be to young artists trying to break into the business?

A) Such an important question. The first step is with yourself. Take stock of what you have talent-wise.

Talk to other artists, look for people above you or who are further along. Those conversations can be worth gold as far as understanding where you want to go. Really understand the spectrum of illustration– from comics to concept work to sketch cards, traditional to digital, and everything in between…all of it. Because you have to put your efforts in somewhere and you need to choose where they are best placed. You have to know because there it too much competition out there to muck around.

Q) I think that is some of the most important advice anyone could receive. It’s no good doing anything unless you intend to do it well. Did you always know you wanted to be an illustrator as a kid?

A) YES! I would always say I was going to be an artist. I wish I had someone in my family that new something about it, but my parents were not from the US and spoke very little English. My dad was very hardworking and my mom took care of us. Uncles and aunts were too far away, so I had to figure it out myself.

gv
Q) A story of success– George Vega: I did it my way!

A) Yes, right or wrong, I did it my way. I think anyone can make it if they just keep at it and make the mistakes as well as the successes.

I am lucky enough to have a series of interviews with George. We will be discussing his publishing company Vegamation, and his own work as an illustrator. I am pumped and ready for it, be sure to catch the next one!

Links for George Vega

Contact George here

http://www.georgevega.daportfolio.com/

http://shaotemp.deviantart.com/

Matt Johnson Takes to the Court with His New Book

Matt Johnson approached me for an interview yesterday. I was having my usual night in with a beer and a few books– did I want to do an interview about his new book? Well, yes… It literally took seconds and said yes. We sat down at around 1am my time and Matt answered all my questions with honesty and precision. The book is about basketball and if there’s one thing I love reading about, it’s sports. Sit down and watch as Matt breathlessly works his way through an interview about his true loves– basketball and writing.

MattQ) Matt, why did you write a book?

A) I wrote a book because it has always been one of my dreams. I have always enjoyed being creative and have had a goal of being an author for a few years now. I also love basketball and wanted to write about something that I am passionate about.

Q) You love basketball, too? Tell me what started your love of the game.

A) Oh boy. I would have to say that it started when I was about eight years old. I would play with my older brothers, Kent and Brian, in our driveway. Then I played for some YMCA teams and all the way up a bit in high school. I love watching it, reading about it, and playing it. It has brought me so many memories, friendships, and happy times.

Q) It sounds like, in a way, basketball helped shape your personality. Would you agree with that statement?

A) Yes, it is a big part of my life. So many aspects of basketball make up my personality. The competitiveness, the hard work it takes to be a good player, and just the love of taking on a challenge. I felt the same way in writing my book, The Biggest What-If’s in Los Angeles Lakers History. It was a challenge and one that I relished.

Q) Can you tell me about the biggest challenge you have faced in your life so far?

A) The biggest challenge of my life is helping others and being the person that I know God wants me to be. I think we all have the potential to do great things on this planet, but sometimes we fall short for whatever reason. We tell ourselves we are not good enough. I think it is important to look inside and see the potential we each have. We can each make a difference in our communities and our families. That is what life is all about.

Q) Well said! So do you spend a lot of time working with your community?

A) I try to. I have done various things, such as coaching a youth basketball team. I went on a church mission to Houston, Texas and tried to help the people there. I just enjoy helping people. It helps me forget about my own problems or worries.

Matt Johnson

Q) You sound like the all-American boy to me. Tell me about your writing process. Do you write at night? During the day? With music?

A) Ha, well thank you. I like to write at night. I am a night owl. I typically don’t write with music, as I find that the background noise muddies up my thoughts. Every now and then, I will turn on some music and just relax as I write, though.

Q) Sounds to me like you take your writing seriously. Let’s talk some more about your book. Is it about the strategy of basketball? The history? Your experiences on the court?

A) It is a hypothetical look at “what-if” scenarios of the basketball team, the Los Angeles Lakers. It poses questions that fans would find interesting and would enjoy debating. For instance, “What if Magic Johnson had played long enough to have played alongside Shaquille O’Neal and Kobe Bryant?” It’s just fun questions like that to ponder in your head.

Q) Los Angeles Lakers– you’re Californian?

A) No! Far from it, although my girlfriend is from Los Angeles and my dad grew up near there. I am actually from South Dakota. It was my dad that passed on his love of the Lakers to me.

Q) About the Lakers, do you follow them solely or do you like other teams, too?

A) I root for the Lakers because I love their tradition and many of the players they have had. So I root for them above any other team; but as a basketball fan, I do appreciate talent. I also like the Dallas Mavericks and the New York Knicks, but the Lakers are my one true love.

Q) Let’s talk about the impact of your book. How are people taking to it so far?

A) Well, it just came out this morning and so far the sales have been a bit disappointing, but it is early. It is a short book meant to entertain, so I hope people realize that. I have received a lot of support from my friends and it has garnered some “likes” on Facebook, so hopefully people will enjoy it.

Q) I am sure sales will pick up! Give it time! Where can readers get it?

A) I haven’t set up a facebook page yet, but I am in the process of it. If anybody wants to buy the book, they can do so at CreateSpace and it will be available in the next week on Amazon.com. The best way to contact me is to add me on Facebook, or visit me at my portfolio, http://mgjportfolio.weebly.com/

Q) Well, I will be getting a copy! What do you like to do outside of sports and writing, Matt?

A) I love spending time with my family. I have two older brothers (one of which actually helped me put this book together) and two younger sisters, and parents that I actually get along with! Imagine that, haha. I also love playing guitar. I am just a beginner but it is a lot of fun. I love watching movies, especially thrillers. You will often find me in the gym or on the basketball courts, of course.

Contact Matt on Facebook or at his portfolio, listed above.

An Interview With Joel Seath: Author and Creator of Beauty…

Joel Seath is an author who writes to find the beautiful things in the world and to explore the characters that make life wonderful and sad. I met Joel on my travels and immediately cottoned onto his love for all things literary. We set up and interview and he answered my questions with ease. I found myself sitting back to listen to what he had to say rather than thinking of another question. Easy interviews are rare– but this was one of the easiest.

Joel

Q) So Joel, why did you become an author?

A) It’s a compulsion, a drive, I suppose. When you write you just need to keep on writing.

Q) What does a compulsive drive to write feel like?

A) It often feels like blocking out, locking in, sinking in. You know? Some days it’s a rush. Some days you read and re-read and it’s like you’re looking at something that shines (or might shine) and you want to keep that, show that, have that, always.

Q) Do you ever find it hard to stop yourself from writing? Is it like a daze or a dream you can’t break from?

A) Physically writing (or typing), yes, I suppose. I mean, it can be extremely immersive, as many writers will know. However, that immersion also plays itself out in the day-to-day, pen not in hand, computer not on. Words (or the possibility of them) are everywhere.

Q) Words are your thing as a writer? So what is your favourite word?

A) What an excellent question! A barman asked me what my favourite book was recently (your question reminds me of that): how to pick one? You can tell by the long pause that this has given me cause to think. I can tell you what my most recently learned word is (and, by extension, a current favourite): tenebrous.

Q) Tenebrous? So what does tenebrous mean?

A) It’s to do with the obscure, the dark, as I understand it. This isn’t a reflection of my writing; rather, the word has a sort of rhythmic quality to me.

Q) Well, you have to learn something new everyday! So, lets reflect on your writing. What do you like to write about? Tell me about your writing.

A) In all its forms, long and short, my writing is intended as a means of finding the small gems of this world. There are hidden things in between what we just see on the surface– there are textures and layers to relationships, subtleties, moments. I’m looking for the moments that also linger. There are ‘objects’ of beauty, even in the laments, in many places.

Q) It’s interesting that you write about “beauty,” as everyone’s definition of beauty is so different. What’s the most beautiful thing you’ve ever written about? What is “beautiful” to you?

A) Well, beauty is subjective, of course, but I’m sometimes taken aback by how things turn out. It’s unexpected. There are moments that happen which I read time and again because they still have some power over me. In one of my stories, a child’s brief interaction with the narrator takes me in every time; in another piece, it was something I wrote in a female voice because I needed to do this more, I was there with her, as her, in Venice because the words were in that flow state; poetry is a vanity, but there are lines of colour and there are lines that sink me sometimes. Questions such as these are like choosing between children!

Q) If you could write anywhere in the world– where would it be? What landscape would really incite your creativity?

A) On a beach, in the mountains, in a forest, all of these. Specifically, though I’ve done my fair share of overseas travelling, I’d come back to the west of Cornwall. Standing on the cliffs overlooking some of the little unknown coves down there, the sea and the wind in your hair and on your face, that huge sky (it really is huge, like they say in their tourism promotions), makes words just come in for me. The artists there laud it for the light; I just can’t get enough of the energy.

Q) I understand that you’re published so others can enjoy your creative energy. Which of your works are currently available?

A) I’ve got a collection out at the moment (Disintegration and Other Stories). I loosely label this as literary fiction (though that term can be interpreted in many ways). DaOS is out in ebook and print. This collection came together in an odd way: I didn’t realise that there’d been a thread running through some of my writings for a number of years. It was like seeing invisible ink slowly become visible. I’m working on a collection of micro fiction, which will be a first volume (Four Kinds of Wreckage) to be added to. Micro fiction is much misunderstood. Away from fiction, I’m also published in the field of what’s known as ‘playwork’ (a particular way of working with children). I’ve had writings taken on by the national/international playwork publication for the sector, as well as credits with the organisation concerned with psycholudic playwork practice. (Now though, I fear I’m stepping into the jargon of my other calling – though writing is also a big part of this, too).

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Q) So tell me Joel– why did you want to be interviewed by me?

A) You do a good job of finding writers, Nick. When I became aware of your work I came over to your blog, and yes, I like what I see here. What you’re doing is exactly what writers need– a way of getting their words out there.

Q) Thank you, Joel. One of my stock questions is to ask– if you could be any writer from any time who would it be?

A) As far as writers are concerned, I have a range (as we all do probably): Milan Kundera, Gabriel Garcia Marquez, Jeannette Winterson, Iain Banks, Ian McEwan, Italo Calvino, Jack Kerouac, Neil Gaiman, Adrian Henri. There are others. I wouldn’t want just one small list to define me, though we start somewhere with questions such as these.

Q) Characters are important to you. What makes a good character for you?

A) The unusual wrapped up in the usual. Subtlety people often might not see. The strangely put. Love in odd places, ways; perceptions of this. Someone who aches in some way.

Q) It has often been said that “repeated readability makes a book.” Would you as an author agree with that?

A) Yes, I think I would. Who was it who said that journalism is read once, whilst literature more than this? Something like that. Anyway, it’s the sentiment here that counts. There are books on my shelf that I come back to time and again; there are passages on some pages that just astound me. Kerouac wrote about ‘fields the colour of love and Spanish mysteries’ in On the Road. I come back to that time and again.

Q) You strike me as an intellectual– someone striving for the beautiful things in life. Would you agree with that?

A) I don’t know about intellectual! I certainly am on the search for the beauty of the world though. That’s in words, in moments, in art, in love and lament, in the play of children, in the play of us, in nature.

Q) What would you personally deem as “ugly”?

A) There’s nothing so ugly as not wanting to see, perhaps. Ugliness is also wrapped up in the politics of power, greed, deceit.

Q) Power, greed, deceit are words usually entwined with politics. How do you feel about the political scene in America right now? Are you an Obama follower?

A) For me these words are part of Politics (as in that which a politician is involved in); however, these words are also within the politics of everyone, their relations. Lennon had an angle here! As for Obama, I don’t really get too immersed in Politics anywhere, if I can help it, because politicians bring the media to their door in many ways. That said, when politicians willfully ignore children and their play, this gets me going! Back to Obama, he strikes me as intelligent enough, though of course I’m not in the US and not directly subjected to American policy.

Q) Well, I think we’ll end there Joel. Thank you for a great interview!

Save A Prayer: Author Paul W. Meier Chats To Nick Wale

Paul W. Meier sat down with me for a second interview. (Please see the first interview here.) This one was as fascinating as the first– we really wanted to expand our conversation and I really want you to know how great this guy is. I discovered that not only was he an excellent writer, he is also a great human being and a very forward thinking and compassionate guy. I present Paul W. Meier to you again and I hope you are all listening for that voice in your gut—that’s the voice you need to hear.

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Q) Hi again, Paul! So tell me what did you think of the last interview?

A) Great! It went places I never expected.

Q) That’s the way with me! So let’s talk about you as a person. What do you like to do for recreation?

A) I’m just now trying to find that out. In the last year, I’ve been working on getting four books out. Two were 80% written before the year started, and then two shorter books I put together during the year. Now that I’ve gotten those out of the way, I think I’ll have some time to go fishing – that’s my recreation. My wife and I are also catching up on some movies. We hadn’t seen any new ones in a long time, so they’re still new to us.

Q) How does it feel to have written four books? That’s an achievement in itself.

A) It’s a relief to get them done. I wanted to have several available so that my blogging and other activities might be more useful. The best part is that I learned more than anyone about the stuff I was writing as I wrote them.

Q) How about your congregation? Have they been supportive?

A) Very much so. They are an incredibly loving and generous group of people. It helps that the research I do for my sermons is much of what I include in my books, so the two activities go hand in hand.

Q) Tell me– how are the books doing? Are you reaching a strong audience?

A) I’ve had a good two weeks since the release of my new book. I’ve done some specific marketing for them because Lent begins on Feb. 13 and two of them will make good devotional books for the season – Praying the Gospels with Martin Luther and O Taste and See. I put together a plan on how to use each of them that can be downloaded from my website for free.

Q) I received an interesting question through my Contact Me page that the writer requested be passed onto you. Does God hear every prayer?

A) Of course. According to the New Testament, we are temples of the living God. God dwells within us. How else would God be able to know our heart? We just forget to look for God within…that’s usually where many of the answers to our prayers lie anyway.

Q) How would someone without any religious education find God within?

A) The same way the Himalayan masters find the Source that Christians call God. The same way people who have never been able to read have found God through the centuries– meditation, prayer, spending time in the quiet. Remember that religious education is simply that, teaching about what someone else thinks about God. You still have to choose whether you agree with them or not. Not enough people think they have permission to think for themselves.

Q) It’s interesting that you mention people following rather than thinking. Have you always had the ability to think for yourself? Or have you learnt that quality?

A) I trusted what others told me for fifty years. That’s when I began the practice of centering prayer and it changed my whole theology and life. It did lead me into spiritual leadership in the Christian faith because I had to start where I was. I think that’s how the Spirit teaches us and moves us along at the pace we are willing and able to hear. Writing my first two books was all about my learning who God is and giving myself permission to disagree where religion didn’t make sense.

Q) So what didn’t make sense to you about religion?

A) The question I always had was this: Why does Jesus’ Father not look much like the God of the Old Testament? They don’t have the same characteristics or personality. Jesus said God doesn’t kill people because of their bad actions. Is that a loving God? The New Testament says God is love, God is light – in Him there is no darkness at all. This is the good news!

Christianity has blended the Judaic faith with the New Testament revelation of God and God has a split personality.

Let me quickly say that I am not putting down the Judaic faith. There are many faithful Jews who have become kind, generous people because of their beliefs.

Q) For British readers I’ve got to ask this– What’s the difference between the Church of England (C of E) and Lutheranism?

A) That’s a broad question, and my only real contact with a group I assume to be related to the C of E (however remotely) is the Episcopal Church in the States. The Lutheran church has many more divisions than the C of E and Episcopal groupings. The similarities between us might best be found in the liturgical aspect of worship, with C of E being more “high” church than most Lutheran congregations are today. Liturgy is a treasure for all of us.

On the other side of the coin, I think Lutherans feel a little more freedom to depart from doing everything the same way. You can walk into three Lutheran churches and experience three completely different kinds of worship service. Theologically, most Lutherans “say” they believe we are saved by the grace of God, but in actuality, if you don’t think the same way, you may be suspect.

You might also take note that this is my opinion, and there are some who will disagree with my assessment.

Q) I’m actually fascinated because growing up C of E I was never really exposed to anyone who was Lutheran. It’s a huge learning curve for me. So what is the Lutheran stance on things like rock music, drugs, etc? Is it frowned upon as it is by the C of E community?

A) I’d say that if it’s legal by the standards of the state, who make laws that are hopefully built upon the desire to promote peace, harmony, and justice among large groups of people, then it might be done in moderation and without harm to self or another. Again, this is my dancing on the head of a pin. Let’s just call it the opinion of one Lutheran. Rock music – okay. Drugs – not legal.

Q) You strike me as a very fair, honest and just guy. I’m sure you’re well respected in your community. Do you find people coming to you for guidance and help often?

A) I minister in a relatively small congregation– 75-80 people in worship each week. I’m in a rural, non-farming community in the Bible Belt. It’s surprising to me that not many people in this area know what a Lutheran is either! The Germans and Scandinavians who immigrated to the states settled further north. So I help whoever God brings to me. Maybe that’s why I feel the need to write, to reach a wider audience.

Q) I had a lot of people ask me, “Who is that guy?” They just instantly liked you. I think you are touching a lot of people out there. How does that feel?

A) Anytime someone says you have helped them, it fills that space within you that wants to feel valued, appreciated, and put on this earth to fulfil a need. It’s like the beatitude: Blessed are those who hunger and thirst for righteousness – for they will be filled. We always come away satisfied when we do the right thing that brings peace and hope to others.

Q) Yes, well you certainly helped me a lot. I was grateful for your support when my fiancée went home. It’s a trying time, but I talk to God as much as I can. Have you ever had an experience with an angel?

A) My definition of an angel is “a messenger from God.” I’ve encountered many messengers from God on my journey. Somewhere in the psalms it says a man might make his plans, but God guides his footsteps. I think that means go the direction you think you’re supposed to go until the light shines on another path or a door opens that just makes sense. And most of all, be open to appreciating the moment in which you are in.

  1. O Taste and See: Discovering God Through Imaginative Meditations is available now!
  2. Praying the Gospels with Martin Luther: Finding Freedom in Love
  3. In Living Color: The Lords Prayer
  4. In Living Color: The Beatitudes

Don’t forget to visit Paul’s website, Praying the Gospels and his Facebook Author Page!

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