Author Tim Northway Explains About The Mist…

tim northway

Tim Northway and his mist. That’s all…

Q) What is the “mist” in “Total Amnesia” and where does it come from? Why a “mist” anyway? What was that concept all about?

I assume you’re asking about the gas that paralyzes the humans so they can be collected up by the invaders.

It is a very easy way of taking over a planet.

The brain of all living things contain a “node” programmed into the DNA.  This node will react to a certain composition of gas, shut down the body and activate a locating beacon.

For example, if a Harvest company has an order for 100,000 Moose, the ship will gas the planet with a particular gas composition.  This will paralyze all Moose and only Moose—no other organism will be affected by the gas.

In this story, the Harvest ship has a purchase order to collect up all the humans.

The story begins as the pink gas (mist) descends upon the planet, penetrating solids as easily as air. The humans have no defense as the mist approaches.  Imagine watching an approaching wall of pink gas as it pervades the planet, knowing there is nothing you can do to escape it.

Pretty grim!

 

Q) Did you write “Total Amnesia” with a sequel in mind?

No, but it has opened itself up to many sequel ideas!

 

Q) What is “Total Amnesia” about anyway?

It’s a good, old fashioned alien attack on Earth told from my viewpoint, play by play, until every human on Earth has collapsed in paralysis—with the exception of me.  I was singled out for a purpose.

I am taken on a fantastic tour of the universe and into a forgotten past.

 

Q) Where did the title of “Total Amnesia” come from?

The forgotten past that—to be confined here on Earth—everyone must have in common.  We are here for a reason.  The reasons will all be revealed to you when you regain your memory of the past.

 

Q) If you could go back and rewrite any part of “Total Amnesia” what would you rewrite?

That’s a tough question as I have rewritten it so many times, I figure I’ve done all the rewriting I can.

 

Q) Do you feel it’s important to make a story entertaining or is it more important to get your message out there?

I am a writer who bases his story on a message.  Then I attempt to make an entertaining story around it.

 

Q) Taken on a base level how would you describe this book?

A wild, very entertaining story of self discovery and a view of this universe that you never would have suspected and most importantly, a way to free yourself as a soul!

 

Q) How do you feel about presenting a book to the reading public? Does that scare you?

No way, it is exciting to hear how it is received.  I hope it meets my expectations (which are very high).

 

Q) If you sat down to think about “Total Amnesia” for a second, who would your favorite character be?

This one is obvious.  It’s Professor Espree.  I created this character with the perfect woman in mind.

 

 

Join the adventure! Join “Total Amnesia

“Standing Strong for Others is an Obligation,” says Author Tom Ufert

Despite the bloodshed and social havoc that arose from the French Revolution ending in 1789, a distinct social contract developed that forever altered mankind’s perception of our obligatory responsibility for the less fortunate among us. The phrase Noblesse Oblige, loosely translated as “the obligation of the nobility,” came to commonly refer as the social obligation of those with wealth, position, influence, titles or higher education to share their good fortune among those in society with far fewer blessings. This was a direct repudiation of the long held societal belief that noble positions were divine grants from God Himself that set certain individuals on untouchable pedestals of superiority over their fellow man. Since that time, there has been a constant social debate between the “haves” & the “have nots” regarding justice, equality, and economic equilibrium. Throughout the three and half centuries since the end of the French Revolution, humanity has incessantly struggled with competing dogmas such as capitalism versus egalitarianism, democracy versus socialism, and deism versus humanism. In the end, the human species continues to search for a solution to our ever growing competition between limited resources and an expanding population.

Fortunately for me, my “adopted” family and Jesuit educators instilled a life-long belief in the “Golden Rule” — “do unto others as you would have done to you.” Though I was never fortunate to obtain wealth, position, influence or a title, my life has been undeniably blessed by an excellent education. Furthermore, as my first book Adversity Builds Character so aptly demonstrates, I would not be where I am today were it not for the gracious generosity of others. This is undeniably true as well in my new found career as an aspiring author. Therefore, it would be sinful and completely demeaning to me as a human being if I did not “share the wealth!”

To quote one of my political ideologues, We might come closer to balancing the Budget if all of us lived closer to the Commandments and the Golden Rule.” —Ronald Reagan With this noble philosophy in mind, I have spent my life raising money for charitable causes in a determined, if not altogether frustrating, quest to make the world a better place. Since the age of nine when I first started volunteering for the Shreveport Summer Music Festival, through the next three decades raising money for worthy political and social causes, until today, I have been a vigorous proponent of trying to utilize my talents for the betterment of all mankind. My writing career is no exception.

Since the publishing of Adversity Builds Character two years ago, I have been completely transparent that every book copy sold would contribute in some way to one or more charities. My book signings and online sales have raised monies for the American Red Cross to help victims of super storm Sandy, 501(c)3 AIDS outreach charities such as the UCLSE/ICFWA/ICAO/AOC & The Philadelphia Center, and now through my two month fundraising effort, The Stand Strong For Others Campaign, I am donating 25% of all my book sales tothe world’s largest international charity for children.” These funds will go directly to assist disabled children. Though my campaign goal is modest, a mere $500 or approximately 400-500 book copies, it is deeply troublesome that this effort has received hardly any public media attention or for that matter resulted in any significant number of sales. My books are said to be “inspirational” and “uplifting” to those who have read and reviewed them. Yet despite campaign efforts championing this charity fund drive as a meaningful way to simultaneously obtain a worthwhile literary work and contribute directly towards improving the lives of crippled children, no one seems to take heed.

At this point in time, due to the organization’s licensing criteria, I am unable to use their name or logo in my promotional efforts. It was instructed to me by their USA Fund coordinator to say funds raised would go to “the world’s largest international charity for children.” After due diligent research I can assure all consumers that this charitable organization is held to the highest American and international standards for charitable donations and is in fact accountable to numerous United Nations conventions for assistance to children. I have been assured that the monies raised from the campaign’s book sales will be targeted specifically to assist physically challenged children. I am encouraged by the recent partnership of fellow author Lester W. Van Huss’ commitment to donate 10% of his book sales during the campaign period towards Stand Strong For Others’ fundraising endeavors. It is just such generosity that I had hoped the campaign’s efforts would generate. So far the event on Facebook has attracted 66 attendees out of 2200 invitations and continues to grow daily (go to this link to join and see regular updates.)

After decades of fundraising experience, I am well aware of realistic expectations regarding public support for charitable causes. Each and every dollar raised is a contribution that was non-existent before and deeply appreciated. I have carefully calculated a realistic goal for the campaign and specifically timed the fundraising drive to coincide with the holiday season for maximum appeal to the public’s generosity. Yet this is my frustration: when one considers the purchase of an “inspirational” book that demonstrates success in overcoming adversity for merely $2-$3 and knowing that it will directly benefit a crippled child, how can consumers possibly not be moved? The purchase price is the equivalent of buying a gallon of milk, and in return the consumer provides food, healthcare, shelter, education, and necessary medical equipment while holding in their hand a book that may very well change their own life! TALK ABOUT BANG FOR YOUR BUCK!

Novel Reads, the e-magazine produced by Novel Ideas, reached over 5,000 readers last month. My request is very simple. If every person who reads this article will take the time to either purchase a book in the campaign or spread the word by sharing the link and campaign banner below, even better yet, DO BOTH, the result will be monumental! Five minutes of your time and two measly dollars out of your pocket will as the CNN slogan declares…IMPACT YOUR WORLD! Your time and money won’t be wasted on helping yet another author with his career. Rather, both will be wisely spent making the world a better place.

–Tom Ufert

FREE ADVERTISING….

FREE PROMOTION FROM NOVEL IDEAS

I want to tell you all about a new opportunity I have to share with you all. I have started a new book promotion website called The LIST.”

The LIST” is nothing more and nothing less than a list of books and why readers should buy them. 

I am offering anyone reading this post the chance to put their book on this new website for FREE! There’s no catch and no cost of any kind to place your book with a single line linked blurb on The LIST.” The more books we have listed… The bigger the site will grow and the better the chances are that your book will be bought.

It will be FREE to list your cover with a one line linked blurb underneath.

Now there are extras you can buy… Longer blurbs, bigger listings, more exposure… Whatever… BUT to list your book cover and link it to Amazon is not a single solitary dollar.  This is EXPOSURE and it’s FREE what could be better?

Check out “The LIST” and send an email to Nick@nickwale.org if you want to add your book and become part of the future.

 

American Science, Political Science… Author Tim Northway

tim northway

Tim Northway- defintion:

A creature who writes for the enjoyment of others. A man with a talent for literature with a social edge. A being that has immense intellect and little time for Jonahs. A seller of ideas through the worn pages of books bearing his name.

Class dismissed…

Meet Tim Northway!

 

 

Q) What are the  “real” concepts behind “Total Amnesia,” Tim?

A) A good old fashion alien attack on Earth told from my viewpoint, play by play, until every human on Earth has collapsed in paralysis—with the exception of me.  I was singled out for a purpose.

I am rescued from the attack by the lovely Professor Espree whom I have had a crush on all semester.  It turns out she is—of all things—a free spirit (meaning not confined to a body) and the creator of the universe! Even crazier, she wants me to help her free everyone in the universe.

So I find myself as the boyfriend and advisor to the creator of the universe.

How cool is that?

She insists she is NO different than me.  I ask how that could possibly be true if she we’re able to create a whole universe!

She tells me we all have that ability.  The problem is our artificial disabilities installed by an artificial mind that surrounds us and absorbs any free, liberating thought.

My response is:  “Huh?”

Then she proceeds to take me on a tour of the universe to show me exactly what that means.

Talk about mind blowing!

Q) How do you feel about the way people have reacted to “Total Amnesia?”

I think they don’t quite know what it is, but as it continues to gain recognition it is becoming a new voice in Science Fiction.

Q) What do you want people to take away from this book?

You are infinitely capable.  Any thought you have to the contrary is a result of a past disability, purposely installed in your mind in order to keep you under control—a past shrouded in Total Amnesia.

Q) How do you feel it will be taken by the wider public?

I think it is ground-breaking.  There is the initial “huh?” Then gradually it is understood, taken in and enjoyed.  Because Total Amnesia is written from a personal viewpoint as someone who doesn’t “get” science fiction, it can be better understood by the broader public.

Q) How do you discover a concept?

It’s right there in front of your nose.  You just have to look.

Q) Who are you? I mean other than Tim Northway—who have you been?

I’ve been just about everything at one time or another, at least in my own fertile imagination.

Q) Do you believe we are all reborn?

Honestly, I don’t want to say that because it bumps up against personal beliefs and that is not my intention.  If you can’t prove it, why say it?

This novel is not intended to conflict with any philosophy or religion.  In fact, in the story, Professor Espree, (the creator of this universe) did believe in God.  It’s just a bigger viewpoint.

The idea of past lives does make a great story.  So much more material!

Q) Why do you believe this?

What I believe is continually changing as I live life and learn new things.  What I know is pretty rock solid.  So do I KNOW this? No comment.

Meet Tim Northway on your Kindle reader today!

Author Yveta Germano on the Cutting Edge

Yveta Germano is an exciting writer. Exciting? Why do I say that? I think I am justified in saying that she is exciting simply because she attacks social media, promotion and writing with such amazing energy. I posed this set of “cutting edge” questions to her and she, without doubt, gave me the strongest set of responses I have ever read. Many authors have been stumped by these questions– enjoy!

What makes you a great writer?

“I make sure I know the character, literally get inside his head, and become a part of the story.”

 

yveta germano 3

Why did you want to write a book?

I never asked myself that question. I’ve been writing stories ever since I can remember. My mom told me that, as a child, I never wanted to sleep. So when other kids went for their afternoon nap at daycare, I’d sit in the middle of the room and tell them stories I made up while they fell asleep. Even the teachers listened to me. That’s why I never asked “why,” I just had to figure out the “when.”

 

What makes you a great writer?

I make sure I know the character, literally get inside his head, and become a part of the story. I love using dialogue because it moves the story and makes it real. I do not like books where you’re told everything you’re supposed to feel and imagine. I try very hard to let my readers become as much of a part of my book as I am.

 

What is inspirational to you?

Life writes the best stories. I suppose it’s the little things in life that have the power to inspire me almost every day. It’s easy to miss them if you are too fixed on the future or on what has been. My younger daughter, Victoria, taught me a valuable lesson. She often says, “Today was the best day of my life.” She means it every time, day after day. When I finally understood the importance of her view of life, I began to see something wonderful and inspirational, no matter how big or small, every single day. Sometimes it’s just the fact that we are alive that inspires me to create something that’ll last long after I’m gone (I hope).

 

How did you approach writing?

Like almost everyone else – I picked up a pencil and a notebook and started to write (many years ago). I’ve been a member of the Society of Children’s Book Writers and Illustrators for a number of years now. It’s a great resource and their conferences are usually packed with wonderful speakers and editors. I write much more like a professional these days; trying to have some sort of a synopsis and staying clear of the usual pitfalls that editors and readers hate. It’s been a long learning curve, but it’s worth it.

 

What do you think a great book needs?

Characters readers care about, a story that hasn’t been told a dozen times before, a voice that’ll make us ponder or send shivers down our spines.

 

How do you feel about the independent writing world?

I love it and I hate it at the same time. I love it because I love the fact that I could self-publish Bring Me Back and keep control over the content. Many wonderful, great books have been published independently because nowadays publishers are so driven to earn money, they often accept subpar books for publication only because they are written by a celebrity or someone well-known to the public while passing on stories that should definitely be published.

I hate it because, unfortunately, there are many self-published books on Amazon that are so poorly written, they should have never been published. They clutter the site and confuse the readers. In their quest to sell books, self-published authors reduced the prices of their books to the levels that are so low these days, it’s nearly impossible to make a living writing self-published books. If you don’t do it for the love of writing, you may end up being disappointed. Today’s readers do not appreciate the amount of time that goes into writing a good book. They are spoiled by the free or almost free books out there, and they download them just because they are free but never read them anyway. It’s kind of sad.

 

Do you believe a book needs promotion to succeed?

Absolutely. Look at me. I first published my book 6 months ago and had to leave the country for a while to take care of other pressing issues. I did not have time to do any marketing or promotion. I did not even tell many of my friends about the publishing date. I just left Bring Me Back in the Amazon jungle to fend for itself. By the time I came back, the book was hidden among hundreds of thousands of young adult titles. How does a reader find it if you do not promote it? I need to catch up, but it is hard. Fortunately, I love the story and everyone who read it loved it, too. I am patient as I believe word of mouth and proper promotion will Bring “It” Back… I still have two more books of the trilogy to publish, so I will be better prepared as far as timely promotion is concerned.

 

Who are your favorite authors?

Jodi Picoult, Paulo Coelho, Markus Zusak

 

What attracts you to a book?

First I judge the book by the cover – like everyone else… Then I read the excerpt and, finally, I look for the characters. I’m really big on characters, I want to love them.

 

How many times have you rewritten a line to try and get the right feel for it?

“As many times as it’s necessary. I’ve done it as many as fourteen times as far as I remember.” 

 

A drop of rain falls from the sky—what do you think?

Awesome! I can just sit by my computer and write and not feel guilty about it, ha, ha, ha… Shall I be more poetic? No, I don’t think the angels are crying, they’re laughing with me, if anything. I love rainy days because I live in Georgia where we do not have too many.

 

How does a cloudy day make you feel?

I love every day no matter what the weather condition. The sun needs to take a break too.

 

What does a bar of chocolate taste like to you?

The darker the better! It’s sweet and bitter at the same time. It’s delicious, decadent, and it melts in your mouth leaving a tinge of guilty pleasure…

 

How do you define your book by genre?

Traditionally it’s a young adult paranormal fiction. But I would rather define it in my own made-up genre: young adult cross-over fiction we all hope turns out to be real one day!

 

How does blog touring make you feel?

Never done it. I’m game for anything new and exciting. Literally.

 

How many times have you rewritten a line to try and get the right feel for it?

As many times as it’s necessary. I’ve done it as many as fourteen times as far as I remember. I re-read the pages I write a lot and as long as I have the slightest feeling the line does not sound totally real, I’ll keep changing it.

 

Do you like to write with music? Does that help you concentrate?

I often hear other authors say they listen to music for inspiration while they write, so I feel like I should. But I never do. Since I write a lot of dialogue in my books, I often speak my dialogue out loud as I write it. I cannot imagine listening to some music especially with lyrics when I’m listening to myself already. On the other hand, I always play my favorite songs when I’m driving alone. I pick the music on purpose depending on what part of the book I’m currently working on. When the music plays, I imagine the scenes from the book, just like a movie, and sing along as loudly as I can. I used to be a lead singer in a band when I was a teenager, so I know how to sing aloud 🙂 Many songs have become synonymous with certain scenes and dialogues from my books to me.

 

Do you feel the writing world is full of negativity or positivity?

It’s both. Maybe it’s a good thing to keep some balance. You can’t have the good without the bad, so I do not dwell on it. I’m happy with what I’m doing and that’s what matters to me.

 

Does promotion make you excited or scared?

The only promotion I have done thus far was with Novel Ideas and it’s exciting. Probably because the people at Novel Ideas are really nice, hard working and fun to work with. I feel like I’m in capable hands and the circle of writers at Novel Reads is like an extended “writer family.” I honestly cheer for every one of them even if I do not know them personally. I do not even think of this as promotion. I think of it as a great part of the publishing experience.

 

What are your expectations as a writer?

I’m a little too humble to “expect.” What I really wish for is that I grow a wide following of readers who will love and enjoy my stories. I’m ready to give them all I’ve got!

 

Do you feel comfortable interviewing?

Love it! Love it! Love it! What else can I say? Can I have another interview please?

 

What is the worst thing you’ve ever read?

Unfortunately, there are as many bad books published as there are good ones (both traditionally published and self-published). I was asked by a self-published author to review a book. I agreed even though I had little spare time. Both the writing and the story were so weak, I was agonizing for days whether to tell the writer the truth because I hate to make people feel bad. The person seemed very nice, and I know very well how much work goes into writing a book. I did not write the review, but I offered help and wrote a detailed critique which I hope will help in the re-write process. I will be a lot less prone to accept someone’s request for a review in the future, though.

 

Do you find it easy to concentrate on a book?

No! I’m as ADD as it gets! As long as I can get up and pace around my house every ten minutes or so, I can force myself to sit still long enough each day to write up to 10 pages per day. That’s it, being still any longer would be torture. I entered a contest a couple of weeks ago where you submit the first 250 words of your new, never published novel. The results will be out in early February and I realized that if I won, I did not have the manuscript that I’d have to send out to various agents bidding on it. This contest is now putting my ADD to a test as I’m challenging myself to write 2,000 words per day to finish it before Christmas. Fortunately, it’s a book about something I was planning to write for a long time, something really close to my heart. The bad thing is, it’s loosely based on a true story of a teen suicide that touched my and my older daughter’s lives. I bawl my eyes out every day now while I write, so by the time kids come home, I look like an owl. This is what I meant when I said I want to love my characters.

 

Do you feel comfortable interviewing?

“Love it! Love it! Love it! What else can I say? Can I have another interview please?”

 

What are your hobbies outside of writing?

Reading someone else’s books! Traveling, visiting castles and historical sites, singing, even writing music. There’s still so much I want to do, I’ll have to clone myself to do it all…

 

(The next part of this is word evaluation- I will say a word and you will say the first thing that comes to mind.)

Music – singing loudly along

California – fake

Christmas – joy

Yesterday – gone

Maze – lost

Blue – blanket

Diplomat – untrustworthy

Dreaming – loving it!

Lover – heat

Romance – tingling excitement

Book – comfort

Biography – boring

July – travel

Bring Me Back

 

 GET YOUR COPY OF “BRING ME BACK” TODAY!

A Trip To A TOTAL AMNESIA With Author Tim Northway!

Total Amnesia is a Science Fiction Novel about the invasion of Planet Earth that leaves me as the only human left.

 

tim northwayHow long have you been writing? How long did it take to write your book? And what motivated you to write it?

 

I have been writing for 15 years.  The first book (The Gold Slaves) took about 10 years to write because I was really learning how to write; the next book about 5 years, the next book 2 months.  You really learn to write by writing.

 

My motivation is to tell a great story that readers can enjoy and possible gain a new interesting viewpoint from reading.

 

Is Total Amnesia a stand-alone novel or part of a series?

 

It is stand alone, but at the same time could certainly be expanded upon.

 

I would definitely consider making it a series.  That is really my goal, to create a theme that catches on, then continually provide stories along that line (give the reader what he/she wants.)

 

Who are your main characters in the story and how would you describe them?

 

The main character in Total Amnesia is ME!  I’m the one telling the story.  The other character is Professor Espree.  The “espree” means free spirit and that is what she is.  She also happens to be the creator of most of this universe!  Interestingly enough, she never claims to have any more ability than I do.  She simply doesn’t have any “disabilities.”  Oh, by the way, she and I become boyfriend and girlfriend.  Imagine being a boyfriend (and advisor) to the creator of the universe.  It’s very cool!

 

Is there any symbolism in your book that you’d care to share with potential readers?

 

What is happening on Earth is simply a microcosm of what is happening in this universe on a grand scale.

 

Do any of the characters resemble you? How about friends or relatives?

 

Since I am the one telling the story, that character resembles me, at my best.  Espree doesn’t resemble anyone, she is my idea of an ideal being.  The other characters—including the aliens—simply represent typical, garden variety humans interacting with others with their insecurities and peccadillos.

 

What is the worst thing reviewers or critics have said about your book?

 

It’s just too good.  Just kidding.  I have gotten some advice on sentence structure.  At times my sentences are too short and choppy.  I endeavored to correct that in parts where I thought it might apply.

 

What is the best thing reviewers or critics have said about your book?

 

“Tim Northway takes you on an exciting and interesting journey with this story.”

 

That is what I like to do!

 

Have you tried submitting your book to publishers?

 

I have submitted a query to a half dozen publishers, but most of my efforts have been at self-publishing so it was done somewhat half-heartedly, with little research done on what a publisher wants.  Therefore, I got the typical “Thank you for your submission, although I found your idea to be interesting, I have decided that this project is not right for me.  Best of luck. Blah, blah, blah.”

 

Self-publishing has made me really take a hard look at what makes a novel marketable and has been a good learning experience for me. Considering the time and effort it takes to self-publish, I will be making a more concerted effort to submit to publishers.  I think a writer should try every avenue possible to be successful!

 

What has been the most difficult part of your writing experience? Dealing with publishers, agents, editors getting reviews, query letters?

 

Writing is the easiest part of all so that isn’t a problem. Query letters drive me insane.  Maybe it is because rejections often follow queries, and you have to keep trying to figure out how to communicate the perfect “pitch.”  Publishers and agents seem arrogant and “too busy” for new writers (unless you become a success, then they love you).  If you get the attitude of “I’m doing you a favor,” I think you have the wrong publisher.

 

Best advice I’ve gotten:  “Never pay a publisher or agent for your work.”

 

If you were to be offered a movie deal, who would you like to see play the main characters?

And why?

 

Who would play me?  Has to be young and independent smart and a non-conformist. Bryan Reynolds would probably fit. As for Professor Espree, it would have to be an exotic look, self-assured but happy personality. Kate Walsh or maybe Jessica Biel.

 

Describe your writing process. Do you outline, create rough synopses, do you do detailed biographies of the characters before starting to write?

I shoot from the hip.  I get a concept of the story and I create on it.  I don’t like to try to fit the story into a framework as it inhibits the creativity.  I may take the story in one direction and decide it doesn’t work, but it will spur on a new idea; whereas if I “pre-think” it, I will would not have come up with new ideas.

 

How much research do you do before starting to write?  Where do you find most of your background materials?  How do you fact check?

 

Have you heard?  There is this wonderful new information source called “the Internet” and everything on it is true.  Sorry, I’m being snide.  But that is generally my source of background research.  For instance, I needed to find a good estimate of when the first life on earth first began.  I found a number of sources of info online. Most of my information comes from life experience (I’ve been accumulating it for over 50 years).

 

What didn’t you mention in the synopsis that you can reveal here?

 

I believe my fantastic, wild Science Fiction stories are essentially true.

 

If you had to do the experience of writing your work over, would you still write it? Would you change it? How?

 

I wouldn’t mind re-writing my stories because I like the theme.  I would probably change it.  I have re-written my first two books at least twice and each time they were better.  I might add some more details about other world and civilizations.  That would be interesting.

 

How did you choose the story you wrote?

 

It is based upon a concept I hold near and dear to my heart.  To quote Nicola Tesla:

“The day science begins to study non-physical phenomena, it will make more progress in one decade than in all the previous centuries of its existence.” 

I truly feel this is the path mankind needs to choose; and furthermore, the material sciences are leading mankind on a destructive path (man is just a victim of the environment).

Finally, I believe that Science Fiction has always taken a role in suggesting new viewpoints and methods.

This is a story of two people solving the mysteries of the mind and the physical universe through non-physical means, BUT at the same time tells an exciting, interesting story.

 

How did you choose the title?

 

That was an ordeal, I changed it three times.  It started with “The Spirit Trap.”  Then I changed it to “A Million Lives.”  That sounded pretty good, but it could be mis-understood. Finally, I came up with Total Amnesia which I believe is very commercial (witness “Total Recall”)

 

How did you decide on the cover and did you design it or did you use a professional designer? However you created the cover, will you be doing it that way in the future? Why or why not?

 

I do have some graphic design experience, so I designed the cover.  I stumbled upon a graphic of an eye with circuitry superimposed over it.  That was perfect for the story.  Then I went online and after an exhaustive search through various websites found a graphic that was really attractive.  So I purchased that and added the text.

 

I would prefer to use a professional designer—but only a real professional one.

 

What’s the quick synopsis of Total Amnesia? 

 

Alien invaders have arrived to remove the humans from Earth—an activity, to the invaders, as mundane as herding cattle. As the aliens gas the planet and the humans fall into paralysis around me, the object of my affections, the lovely Professor Espree, arrives at my door and gives me an antidote for the gas. She then shows me a revolutionary new device—a “Markosian Viewer”—that allows us to see and hear anything, anywhere in the universe. Believe me, if you like Google Earth, you will LOVE Google Universe! Her objective is to show me the BIG picture that we all have failed to see here on Earth.  I am about to go on an inconceivable journey through the universe that will lead me into my past—a past that has resulted in the condition of Total Amnesia.

 

Who were the authors that influenced you? What about them and their style appeals to you?

 

L. Ron Hubbard, one of the most productive writers ever, who can tell a story like no one else.  Edgar Rice Burroughs—I am in awe of his amazing, beautiful use of the language.  Steven King—his ability to communicate his story in a witty, interesting way.

 

What did you learn that surprised you while writing your book? What was the most difficult part?

 

The most surprising part of this book is that I actually discovered a lot of amazing new ideas that I would never have thought of had I not actually needed them for the story. I created a universal Internet and figured out how it could be built.  I found a way to construct a computer-like mind on an energy field and attached it to a spirit without a body.  I had to create an inconceivable, universe full of never-before-thought-of technologies.  It was awesome!

 

The most difficult part was making a continuous story when life kept interrupting my work.  Also the seemingly endless editing.  At some point you have to stop editing your book and realize it is good!

 

What types of hobbies do you have? Do these activities find their way into your books?

 

Currently during the day I am a mechanical designer for a pump company.  In the evenings and weekends I am a writer.  Eventually I will drop the day job (designer), but for now it pays the bills.  I am fascinated by studies of the mind and the spirit and totally disappointed in the drug oriented pharmacological environment that our grant-hungry modern “sciences” have created making victims out of people. In the summers I run the nearby mountain trails and fly fish.  In the winter I try to hit the ski slopes.  I am most comfortable as an athlete and an artist.

 

Have you traveled at all? How has that experience helped in your writing career? How has the type of employment you’ve had helped to enhance your writing career?

 

I have traveled some to Europe and Japan and all around the western US.  I have written some personal short stories of my travels but have not particularly incorporated them in my novels but have honed my skills as a writer.  I have been employed as an educator and counselor which helped me to understand the human condition, the mind and the spirit.  This has been a major influence in all my stories.

 

What do you feel is the best personal quality you bring to your writing career?

 

A sense of humor and a mind full of new and interesting viewpoints.

 

Where do you see your writing career going? Why do you think that?

 

I see myself as a successful author with a good following of readers who enjoy my books.  I think I have something unique to offer as an author.

 

Do you have a special theme, or design that you intend to continue throughout your career as your signature item?

 

Yes.  Read Total Amnesia.  It’s a big universe with a whole lot of amazing stories to create!  My stories will be designed to expand your viewpoint, fascinate you and leave you wondering what I will come up with next.

 

What happens next for Tim Northway? Does your future depend upon your books being a success?

 

Another book! Of course my future depends on this book being a success!  My future plans are dependent upon doing well as a writer—actually selling well.  That is the career I want; I don’t desire another career.

 

Do you use a pen name, why?

 

I do use a pen name.  It’s simply a name I like as opposed to my real name which I never particularly liked.  (Sorry, Mom.)

total amnesia tim northway

 

 

Take a trip across the Universe with Tim Northway’s Total Amnesia today! 

Radiation! Radiation! Radiation! Brian P. Hanley, PH.D. Explains All!

This month’s feature interview is a bit of a departure from our usual fare. Brian Hanley’s book, Radiation—Exposure and its Treatment: A Modern Handbook, is not likely to induce a crazed following (think: screaming, fainting Elvis fans…), but it WILL educate you. The scientifically-minded of you (and you know who you are!) will enjoy his comprehensive but easy-to-read style on an important subject. Written in simple-to-understand terms, Dr. Hanley explains what radiation is, how much is in nature, and principles and specifics of treating exposure. He’s also rather funny. I hope you learn as much as I did! ~NW

 

*****

Brian HanleyBrian, can you tell me a little about your background? I think people would be interested to know how you went from salesman to scientist.

 

I held a number of jobs. The funniest ones were working for National Onion Singing Telegrams, and when I was an electrician’s apprentice. I was fired from the latter for shocking my boss with 220, 2-phase current 5 times in a row. It was a scene out of the Three Stooges.  What he said to fire me isn’t printable. It was unique, though.

 

So, I took a job selling Fuller Brushes door-to-door. Then I moved on to selling janitorial contracts door-to-door in the industrial district. After that, I took a job working as a baker for Black Muslim Bakeries, which was fun being the only white guy in back. At the same time, I worked a second job with autistic kids that I really liked.

 

It became clear to me though, that this wasn’t the life I wanted.  I went to college, studied engineering, then dropped out to put my wife through med school. A friend told me about a job fair at Bank of America, and I accidentally talked with this odd guy in a suit standing off alone by himself who took my resume. He had no hair on his head – not even eyebrows or eyelashes. That turned out to be Pete Hill, SVP for Data Processing, and I later found out that he passed my resume down the line with directions to hire me. So I got a job with no degree in a group with Ph.Ds and EEs. I did very well, and that break started my career. I completed my bachelor’s degree over 10 years, which was an eternity for me at the time. I wanted to double major in cellular biology, but once I had the credits to graduate, I couldn’t face two more years, so I had a minor.

 

Many years later, I was running an office in Tbilisi, in the country of Georgia (north of Iraq) where we did software for TV, robotics, AI and machine vision. I worked on biological weapons issues and terrorism also during that time. Some people thought I should go to grad school, and when the office closed, I did.

 

I had this silly idea that academia would be a nice, relaxing thing to do after Central Asia—which it wasn’t—but that wasn’t at all because of the school work. That part was fine. It was the intrigue—I told a particularly unpleasant professor that he was no different than the gangsters I had seen in Central Asia and a sight less respectable, which infuriated him. He tried very hard to make sure I got kicked out of school, but I got academic honors which made it difficult to do that. I finished grad school in 2009 after working on DNA vaccines and gene therapy, HIV/AIDS, structural electron microscopy of the gp120 HIV molecule, and flow cytometry diagnostics.

 

I came out of grad school worse for wear—certified, instead of certifiable.

 

Your book Radiation – Exposure and its Treatment: A Modern Handbook tackles a subject many would find confusing. How did you simplify science for the everyday man and woman?

 

Mostly, what I try to do is, if there’s a simpler word, then I use it. Working in the real world for so long, I understand fairly well how non-academics think. It’s not so much simplifying it as being clear. Use words that most people know, connect the dots, illustrate with examples and comparisons to make a point. For instance, that’s why I devoted chapter 2 (which is in the $0.99 truncated teaser book) to talking about the huge tonnage of radioactive uranium in the ocean from nature. Knowing that gives a point of comparison for other sources of radioactivity. I also know just reading something doesn’t make it easy to visualize. So there are quite a few graphs, illustrations, tables and charts—45 in all.

 

I have little stories, too, to bring things into the real world and give a point of reference. For instance, chapter 1 starts out with some soldiers who were stationed ¼ mile away from a tower test at Alamogordo. Just before chapter 1 is a chart with various radioactive exposures on it, with cumulative exposure on the left, and acute exposure on the right. That graph tells the reader a lot right there.

 

After I do the best I can, I run everything by multiple lay readers. I have some people who will tell me what they think and not hold back. Those people are invaluable. Anything they flagged I fixed, and sometimes changed three or four times. Particularly hard chapters I also submitted to a writer’s group for novelists. I think it was difficult for some in that group, but everyone thought they learned a lot.

 

After that, I did three months of QA on the final version. Over and over and over until I got five run-throughs with no significant changes. Even after publishing the first edition though, I’d wake up at 3 AM wondering if I had that right. A little on the OCD side, that.

 

What drove you to write this book?

 

I had accumulated a lot of notes and journal articles over the years. At one point I did a relative risk assessment for Senator Lugar’s office comparing bioterrorism risk with nuclear terrorism, so I had that angle.

 

Then, for some years I advised people on how to optimize their radiation and chemotherapy for cancer treatment. Some folks suggested I write a book on that several times. “You know a lot about this. And it really worked for me.” I have the cancer treatment optimizations in the book – there are some things you can do to make radiation and chemotherapy more effective and have less damaging effects.

 

You could call me “alternative alternative” medicine. In California, I am allowed to practice as an “alternative health care practitioner” as long as I disclose my qualifications. I have done that some. The joke among Ph.Ds like mine is, “Only qualified to teach M.D.s.”

 

Of course, an MD degree has a well-rounded, broad curriculum, much of which Ph.Ds don’t have. So it’s fine, but sometimes we do wish that we could work together with MDs more easily where it’s appropriate. MDs tend to need to be the authority.

 

Then, Fukushima happened, and the government of Japan and many in the press got pretty hysterical. While radioactivity can be dangerous, it is far less so than most people believe. I started writing a paper and considered publishing it with another scientist, but that wouldn’t do anything for the public. So it was all of those things together that finally pushed me into it. I thought initially it would be a short project, a few months on weekends thing. But it took a lot more time than that, and I learned some things. One always does.

 

How have people reacted to your book?

 

Very positively. That’s something that kept me going on a project like this one. One starts to wonder, “Will anybody care? Why am I doing this?” I was encouraged when a relatively early draft got strong praise from a physician who had been in charge of radiological response. I found a couple of typos and small errors in the first edition, as well as a place that really needed a new diagram, which is why this is the second edition; but everyone seems to like it, including medical professionals.

 

MDs, it turns out, get tired of wading through over-stuffed word salad, too. They like that it’s clear, to the point, illustrated well, and that it has internal hyperlinks to jump to related subjects in a way that quickly provides what they need. The concerns for physicians are pretty much the same as for their patients when it comes down to it as far as treatment.

 

The book isn’t just a layman’s guide. It’s a serious contribution to treatment of radiation-related problems. It goes step-by-step: what to do, when, and dosage. It explains what is going on and why things happen.

 

Where it matters, I discuss risks of treatments; and where it is available, what the LD50 is for each medication or treatment. “LD50” means the dose at which roughly 50% will die. Everything has that, from water to salt and any drug. It’s a good thing to know because then you are clear that more is not always better.

 

Do you ever worry that your credibility as a scientist could be compromised by the fact you self-published your book?

 

Well, technically, it was published through the company Butterfly Sciences. But, of course I do! Dear Lord. The “Oh. Self-published” sniffy dismissal, looking down the nose.

 

Reviewers in regular media will not review self-published books. I am well aware that there is a lot of junk self-published stuff out there. So it’s a valid question, “Why aren’t you with a major publisher? Shouldn’t one of them pick you up if this is any good?”

 

The answer to that is simple. First, the major science publishers could not put out a book like this for under $100. That’s their business model – their sales channel is funneled into university libraries, with a bit of classroom sales to courses at universities. Second, the major academic publishers do not target the general public. They sell a relatively small number of books for each title at a high price. Third, their editors would not accept my way of writing so that most people can understand most of it. They would edit it to academic language standards and use a committee. It just wouldn’t work.

 

This book is written with academic rigor. Citations throughout back up pretty much everything. Instead of just putting them all at the end with no link to what they are there for (as is standard for academic books), I have them right there at the end of the sentence, so you can click through to the referenced article or at least the abstract of the article if you want to read it. So, while the style is somewhat like “Radiation Exposure for Dummies,” I treat my readers with more respect than that. They can go to the source material if they want to.

 

Fourth, popular book publishers don’t do this kind of book. Their editors aren’t willing to edit what they aren’t capable of proofreading for accuracy. Plus, they see this kind of thing as going to a small market, and they want a big one.

 

Last, neither science publishers nor popular publishers are good at e-books. There aren’t science e-books aimed at the regular public like this one. There are some books, yes, but it’s a pretty thin set.

 

So, that left me to go it alone. I’m plowing a bit of new ground here. We will see how it works—whether people like it enough to make it worth doing in financial terms.

 

Why is radiation so interesting to you?

 

A long time ago, I was an anti-nuclear activist. I was around twenty-years-old then. I distributed literature, thought I was doing the right thing. I got some people asking questions I couldn’t answer and decided to go over to UC Berkeley and find answers. What I found in the library stopped me. I realized that I wasn’t giving people true information, or it was partly true, but with severe exaggeration. One article in particular was key to making me realize that. It was a Japanese scientist who had looked at cancer rates in the Hiroshima and Nagasaki areas. For the first fifteen years after those bombs went off, cancer rates dropped. That was the start of wanting to understand more thoroughly how it went for me.

 

Today, I would say radiation is such a basic part of existence in this world that the public has to understand it better. Our earth contains a huge nuclear reactor in its core that keeps it hot. That’s what gives the heat that makes earthquakes and plate tectonics, the energy for volcanoes and mountain-building comes from that. The rocks are radioactive. Coal smoke is radioactive. Your classy granite countertop is radioactive. It’s mild, but enough to detect.

 

There is potassium-40 in our bodies, which has been speculated as a contributor to mutations that allow evolution. It is potassium-40 that sets the “banana equivalent dose” of radiation. There is a tiny bit of uranium in all drinking water. There is radon coming out of the ground.

 

In addition to that, we have x-rays and CT scans, plus radiation treatments of various kinds in medicine. Radiation saves tens of millions of lives. It kills very few. In fact, radiation kills far less people than lightning strikes or drowning in the bathtub, or just about anything else. These are facts people need to know.

 

How did you approach writing a book? Was it something you found easier because you have written academic papers?

 

Yes, of course it was. It’s a technical subject that requires academic literature reading. One thing I can say for grad school, I wrote. And I got criticized. You grow a thick skin or you get out, because nobody gets it perfect all the time.

 

Do you believe a handbook about radiation could help people on a day-to-day basis?

 

Yes. Many people are scared because they don’t know what’s what. People are scared of dental x-rays. I remember telling my dentist not to give me x-rays because I was afraid of cancer, but it’s nothing to worry about. Dental x-rays have extremely low radiation levels and taking a plane flight is more. People are frightened of Fukushima and of nuclear plants that have the slightest thing go wrong. Most of that fear isn’t correct.

 

What is the best thing reviewers or critics have said about your book?

 

That it’s clear, easy to read and understand.

 

Do you believe your book will reach a wider audience?

 

I certainly hope so. I expect it will take time.

 

What is the one thing you want people to take away from your book?

 

To not be afraid.

 

How serious was the Fukushima disaster and can you simply explain what the after-effects will be?

 

The untold story of Fukushima is not that it released a lot of radioactivity. It’s how little it released. 15 quadrillion bequerels is the highest unofficial estimate. 40 trillion Bq is the official TEPCO estimate; but let’s use the high one. A Bq is one decay event per second. So let’s do the math. There are two ways to model it.

First, we can think of a way to universalize it, so that every radioactive material can be compared similarly. For that, I use the metaphor of 342 grams of sugar, which is one molecular weight. Let’s pretend that a radioactive material could exist that radiated continuously and didn’t stop after it decayed. If every one of those 15 quadrillion radiations were one sugar molecule, how much sugar would that be?

 

In one molecular weight of sugar, there are a lot of molecules, 6 x 1023 of them. That’s 6 followed by 23 zeroes. Divide 15 quadrillion by that. That is 1.5 x 1015, or 15 followed by 14 zeroes. You get a tiny fraction. It would be 1/10,000th of one grain of sugar. And that is what is dissolved into the Pacific Ocean. In any given second, only that much is radiating.

In the second example, we can figure out how much material there is for a specific element. Most of that is cesium-137 and cesium-134. Let’s presume the worst case, and 100% of it is cesium-137, which has a half-life of 30 years.

 

One gram of cesium-137 has an activity of 3.215 trillion Bq. So, if we have 15 quadrillion Bq of emissions now, then dividing 15 quadrillion by 3.215 trillion, is 4,665 grams. That is 4.6 kilograms, or 10.28 pounds of total material dissolved in 300 tons of water. Each liter would have about 0.000015 grams of cesium-137 in it.

 

Seawater has 32 grams of salt per liter. So the concentration of cesium-137 in that 300 tons of water is very low.  It is 1/2,133,333th (less than one two-millionth) of the amount of salt in the ocean.

 

Per liter, that water would have 48,225,000 Bq. So if you drank one liter, you would get that dose. The biological dose per Bq is roughly 0.0000012 Sv/Bq. So one liter would be 57 Sv if you drank it, at least in theory. Since cesium washes out, it would depend on how long it stayed in your body, and you would get a fraction of that amount. But even 10% of 57 Sv would be fatal if you drank it.

 

So you don’t want to drink it!

 

But, once in the ocean, it dissolves rapidly. 300 tons of water is 300,000 liters, or 300 cubic meters (since water is 1 ton per cubic meter.) That’s not so much in the ocean. Added to one cubic kilometer of ocean, it becomes 300 /1 billion less concentrated.  So we multiply 48,225,000 Bq by 0.0000003 and get 14 Bq per liter of water. If you drank that, you would get 0.000017361 Sv, or 17 millisieverts. That’s in the range of a barium enema or a CT scan. There isn’t evidence that is biologically problematic. (Yes, I know that some people are alarmed, but what evidence does exist actually says that cancer rates probably go down in that range of radiation.)

 

Remember that once it is dissolved into the ocean, that the water is dissolved in many cubic kilometers of seawater very quickly. Concentration goes down, and down, and down. Even right down the coast from Fukushima, the concentration is so low that it’s biologically meaningless. And that’s with the “high” estimate that is 375 times the official estimate.

 

Seriously, that amount is so tiny in an ocean with 5 tons of uranium oxide in every cubic mile of seawater, it’s not worth thinking about. We have confirmed that amount of uranium by mining uranium from the ocean. The Japanese did that.

 

So at Fukushima, the most incredible disaster happened. Almost everything that could go wrong went wrong, including bungling by management. And yet, nothing remotely close to Chernobyl’s mess happened. It is a testament to good design holding up to bungling and bureaucratic dithering, and that needs to be recognized.

 

Yes, I know. Some people will accuse me of working for the power companies or being a public relations shill for them. But I don’t. I’m just being honest in all directions, that’s all.

 

Regarding the Chernobyl incident or Three Mile Island, which was more damaging?

 

Chernobyl. No question.

 

At Three Mile Island, in terms of radioactivity that matters, there were 20 curies of iodine-131, which was pretty well gone 180 days later, because the half-life of I-131 is 8.0197 days. That means after 180 days you only have 0.0085 curies left.

 

If it were possible to collect it all and consume it, that would be 0.156 Sv of exposure. For I-131, specifically, it wouldn’t be a good idea because iodine is unique in that our bodies are very good at capturing it all and keeping it in the thyroid gland.

 

But even at the outset, right away, it’s not possible to capture all the iodine-131 if you tried. And you can block iodine from absorption by having iodine in your diet. There’s a section on that in my book.

 

Iodine evaporates and floats away. It’s almost impossible to contain it outdoors. For instance, that’s why the dried seaweed used to wrap sushi has micrograms of iodine per gram, but kelp has milligrams per gram. It is washed and dried in the sun. And iodine floating away is why there was not a lot of concern after Three Mile Island’s accident. The I-131 evaporated into the air and wasn’t concentrated.

 

Chernobyl had its core literally burn because the moderator rods were carbon. That burning released uranium, plutonium, and lots of cesium (and some other things) into the air. About one-third of the core went up into the air. The heavy metals fell to earth in a few miles. But the cesium contaminated a much larger region. Since the cesium fell on the earth, it didn’t get dissolved like it would in the ocean. And once on the ground, it gets recycled by the plants, over and over. It gets a little bit concentrated in the animals, just a little.

 

That said, the wildlife is very happy in Chernobyl. Human inhabitants are far more dangerous to bears and wolves than the radioactivity is there. I hope that area remains a wildlife preserve centuries from now when most of the cesium-137 has decayed.

 

There are no fatalities from Three Mile Island. There are no known illnesses from it, except, perhaps anxiety. Based on the Linear No Threshhold model, there could be 1 or 2 cases of cancer, but I don’t believe that. The LNT model is not based on evidence. I talk about that in my book also. Most people don’t know that the model used to estimate danger from radioactivity has no evidence to support it in the low range. In fact, the evidence is against it.

 

Chernobyl had 41 to 50 direct fatalities. Indirect casualties should be around 4,000, but because of background cancer rate and other problems in the breakup of the USSR, it hasn’t been possible to observe those casualties. They got drowned out by other events. http://www.iaea.org/newscenter/focus/chernobyl/faqs.shtml  . The IEEE concluded that more people died from stress induced by the relocation, than from radiation.

 

But if you compare Chernobyl to coal plant casualties, over a 45-year operating lifetime of an average coal fired power plant, there would be expected roughly 4,000 deaths, and there are lots of those. There are 24,000 people killed by lightning every year around the world. Influenza kills 36,000 people a year in the US alone. (And if someone wants to split hairs over that 36,000 figure from CDC, let’s call them respiratory illness deaths. It still provides scale.)

 

What causes these meltdowns? What could be done to lessen the risks involved when working with radioactive material?

 

Accidents vary. They are accidents. If cooling of the reactor stops, then it gets very hot. Depending on design, different things will happen. If it’s like Chernobyl, then the carbon rods will burn. As they burn and heat the reactor further, the reactor stops being moderated and gets hotter, which makes it burn more.

 

If it’s like the TEPCO plant, the reactor gets so hot that it vaporizes the pool of water that it’s in. The TEPCO management did not vent the reactor vessel, so that sealed the water inside the big containment chamber. My understanding is that the water got so hot, it turned to gas, and it reacted with metals and materials in the core and inside the chamber to liberate free oxygen and hydrogen, which eventually ignited and exploded. They should have vented those containment vessels to prevent that. But, if they had, they would have gotten screamed at for letting out radioactivity. I suspect that stupid bureaucratic cowardice ruled the day on that. It all came out anyway, and things were worse.

 

You can find design errors like the one at TEPCO all over in buildings. Generators are underground or in a flooding area, which makes them useless when actually needed. It was lack of power to run pumps that made those reactors go critical at Fukushima. But it’s more esthetically pleasing if you can’t see the emergency generators, isn’t it?

 

The main thing that can be done is design changes. The Chernobyl design is no longer built, as far as I know. Carbon makes a good modifier to damp neutrons and slow the reactor, but once it starts burning, it’s very difficult to put it out. Plus, as I said already, as the carbon burns, since it is the reactor moderator that absorbs neutrons, it makes the reactor get hotter still. And eventually it burns hot enough to vaporize the heavy reactor core metals, which is quite an accomplishment. That’s like vaporizing the lead in your car’s battery, or the engine block on your car. It’s not easy.

 

There are quite a few good ideas, from the Swedish pebble-bed reactor to this modular design. http://www.technewsdaily.com/18057-safe-nuclear-power-plant-for-space.html

 

Aside from that, I have things in my book regarding treatment and prevention in extreme scenarios.

 

How much research do you do before starting to write?  Where do you find most of your background materials? How do you fact check?

 

In this case, I started with many years of collecting information. There are lots of things I haven’t written about yet, and may never, but would like to if I could.

 

I make errors here and there. It’s nearly impossible to never misspeak or make an error in calculation. I’ve found few academic books without errors. I’m one of those people who catch them and make the author so very happy by writing to him. I’ve done it in math books, biochemistry, in virology. It’s part of what makes people want to shoot me from time to time. When I worked at Bank of America, I had a vice president take me aside in the hallway and hiss at me, “Do you have nothing better to do than write memos to me about everything wrong with our ATM system?!”

 

That guy was furious with me! I had been writing memos to him about exactly how to get millions of dollars from the ATMs at the bank – leaving no trace.

 

To apologize, I created the Bank of America Easy Money Machine in our test lab. It was a program that gave you whatever money you asked for and didn’t keep any record of it. He gave me the evil eye, but didn’t bother me in the hallway again. The ATM maker changed out to new models, and Bank of America replaced all their ATMs. So the ATM salesman was happy with me, I guess.

 

To write Radiation – Exposure and its Treatment I needed math, some basic health physics, immunology, and cellular biology. The math isn’t hard, just tedious. I’m strong in immunology, since I’ve been working on gene therapy for years, and vaccines was my oral exam subject. Immunology is central to vaccination and to radiation sickness. In the main lab I worked in, my thesis adviser taught the immunology courses, and I took the advanced immunology course, as well.

 

Most of the background material for the book is what I’ve collected over the years from academic sources, books, and articles. I fact check by finding articles about the topic and confirming. I double and triple check. I calculate, then calculate it a different way. I cross-check with other facts on related subjects to make sure it fits in with whatever else is known. If somebody finds an error or misspeak in the book, please tell me. I want to know.

 

Radiation

Protect Yourself From Radiation Today! 

“Digital Air” Has Arrived….

Bruce Bennett, a writer, has just shot to the top of the Amazon listings for the first time. He is a writer with a huge hit and he doesn’t really know how it happened. As one of the newest members of the Novel Ideas family he has taken a very long journey and it didn’t take a very long time. From the dark days of writing without an audience to now compelling many readers from around the world. I caught Bruce for a conversation one afternoon and found myself drawn towards him. Let’s see what he had to say…

 

As we speak “Digital Air” is riding high on the Amazon listings. What is that book about?

 

Digital Air is a suspense thriller with a sci-fi twist.  Don’t let that scare you.  I modeled it after some work of authors like Clive Cussler.  I don’t like to be boxed in.  If I have a feeling about a subject, I want to write about it.  My next planned book will be historical fiction, and I would also like to write something for young adults.  More and more readers like diversity, I think.  I consider myself to be like Michael Crichton—how much different was “Eaters of the Dead” from his other books, yet it was great?

 

How long have you been writing? How long did it take to write your book? And what motivated you to write it?

 

I have been writing for a little more than two years.  It took me eighteen months to write my book.  I wanted to clear my head of ideas that haunted me at night time.  Now I sleep much better.

 

Is it a stand-alone novel or part of a series? If it’s part of a series, how did you decide to make it a series? How long will the series run?

 

Digital Air is the first of three books centering on the character R.S. Cadais.  The trilogy was recommended by my editor, Ken Stewart.

 

Who are your main characters in the story and how would you describe them?

 

I love my main character, R.S. Cadais.  He is a “modern” hero.  I did not want to rehash the same old heroes as other authors are writing about.  He is different, fun, intelligent, self-deprecating, and he gets into trouble.  He is James Bond and Bruce Lee mixed together.

 

Bruce Bennett #5

Is there any symbolism in your book that you’d care to share with potential readers?

 

I don’t like to compete with Dan Brown.

 

Do any of the characters resemble you? How about friends or relatives.

 

My characters in Digital Air are people that I would like to meet.  I think that R.S. Cadais embodies characteristics that we all would want to believe we had.  Other characters are modeled after ideals more than people.  Loyalty and honor are major character themes in my book.

 

Have you tried submitting your book to publishers? If so, how many? Did they provide any feedback? What was that feedback? Will you be submitting it again? Would you still want to work with a traditional publisher now that you have self-published?

 

Who would not want to work with a traditional publisher?  I think all Indie authors want to be discovered in the same way actors were discovered sitting at a soda fountain back in the 1930s and ’40s.  Indie publishing represents a new age in writing.  In the past, writers who did not get published stopped writing for the most part.  Today, anyone can see their name in print.  It’s good and bad at the same time.  It might be likened to a crowd of new professional golfers who are playing their first Masters, but they can’t get a tee time for all the hackers lined up to play.

 

What has been the most difficult part of your writing experience? Dealing with publishers, agents, editors, getting reviews, query letters, what?

 

Getting reviews seems to be the toughest thing.  Also, I question whether there are many honest reviews.  It seems to me that there are many trolls out lampooning Indie authors’ work.  My guess is that it is other authors trying to eliminate the competition.  I try to review all Indie work that I read, especially if someone has gone to the trouble of publishing.  However, much of what I read is not worth reviewing.  In that case, I do not review the work.  Perhaps that is what is happening to my book.  (ß Funny?)

 

Do any of your characters have secrets you can share with our readers?

 

My characters are mostly people a reader can relate with.  If they have secrets, they have not told me.

 

Describe your writing process. Do you outline, create rough synopses, do you do detailed biographies of the characters before starting to write?

 

With Digital Air, I saw this nebulous story in my head.  I started writing without any outline or character synopses and let it develop on paper.  That led to many re-writes and also creating character synopses after the fact.   When it was edited, the rougher areas were identified and corrected.  Overall, I would not recommend this method to writers.  It was like trying to untangle a mess of knotted gold chains.

 

How much research do you do before starting to write?  Where do you find most of your background materials? How do you fact check?

 

I do a considerable amount of research before I start.  In Digital Air, I opened by writing about a place I have not been.  I thoroughly researched, then drew a picture of the setting so I would remember what it looked like.  The Internet opens a world of knowledge that authors never had in the past.  What might Jules Verne have written if he had the Internet?

 

What didn’t you mention in the synopsis that you can reveal here?

 

Digital Air has an interesting science fiction twist.  Some readers might find they have been blindsided, but I feel most will enjoy the surprise.

 

If you had to do the experience of writing your work over, would you still write it? Would you change it? How?

 

With Digital Air, I think that I wrote most of what I had to say.  If I were a highly financed professional writer, I would do more research before writing and perhaps try to visit all of the places I write about.  For the most part, I am happy with what I have written.

 

How did you choose the story you wrote?

 

I wanted to write a fun thriller with different characters and new ideas.  When people tell you to “sleep on it,” that always helped me.  When I was stuck, sometimes I saw the next chapters clearly in my sleep.

 

How did you choose the title?

 

Dan Brown lent me “Digital” and I added “Air” to lend a hint to the plot of the book.

 

How did you decide on the cover and did you design it or did you use a professional designer?

 

I’d like to have an accomplished designer do my cover.  In this case, I had used someone for my previous book and did not especially like the results.  I decided to take a very interesting and enigmatic picture and turn it into the cover.

 

Can you summarize your book for us, please?

 

An FBI agent tries to solve a series of crimes that have no apparent logical explanation.  When people at the highest levels of our government call him in, he realizes that he might have stepped in a quagmire of international conspiracy.  Soon he realizes that he no longer knows who to trust.  With no other course of action, he decides to go out on his own to solve the mystery.  He teams up with a couple of unlikely partners and takes the reader on a fun and challenging ride.

 

Who were the authors that influenced you? What about them and their style appeals to you?

 

Michael Crichton.  I love the believable way he presents a fantastic story.  He uses detail, but doesn’t overwhelm the reader with boring facts.  “The Great Train Robbery” is one of my favorite reads.  I love books by Clive Cussler, Stephen King, James Lee Burke, amongst others.  I love King’s use of time to create suspense.  I found that to be very difficult, but tried to incorporate it in my story.

 

What did you learn that surprised you while writing your book? What was the most difficult part?

 

Writing the book was like pitching a nine inning baseball game.  The middle innings were the toughest.  It was difficult to keep up the energy that far from the beginning with no end in sight.

 

How much literary license do you take with your stories? Do you create fictional locations? Do you use real locations, with some fictionalizing or do you stick very close to the actual setting? Why?

 

I use both fictional and actual settings in my book.  The sense of realism is better when actual locations are used—especially those locales that may be local to readers.  So, when writing about New York City, I use locations with which readers might be familiar.  When I am using exotic locations, I take more liberties.

 

What types of hobbies do you have? Are you active in sports or your community? Do these activities find their way into your books?

 

I have always enjoyed participating in sports.  I use athletics in my books and also describe martial arts maneuvers as close as possible to the real thing.  This latter is more acquired by attending three years of TKA training with my son.

 

What do you feel is the best personal quality you bring to your writing career?

 

I like to think that my sense of humor adds an edge to my stories that make them fun.

 

Who are your top five favorite authors? And which book of theirs is your favorite?

 

Stephen King, Wolves of the Calla;  Michael Crichton, Eaters of the Dead;  Bernard Cornwell, The Last Kingdom;Cliff Roberts, Conch Republic; James Lee Burke, Heaven’s Prisoners.

 

Tell us something about yourself that you don’t usually share with anyone but close friends?

 

I play the violin.

 

Where do you see your writing career going? Why do you think that?

 

I see myself continuing to write many more novels.  I love to sit down and work with the ideas that I have outlined and create new books.  Eventually, I would like to also write music.  The reason is that the process is enjoyable for me.  I would like to write more books that express my inner feelings on many topics.  Reading and writing gives me great joy.

 

Do you have a special theme, or design that you intend to continue throughout your career as your signature item?

 

I hope I don’t get mired down with one particular theme or character.  Arthur Conan Doyle tried to kill off Sherlock Holmes because he wanted to write something else.  His readers nearly revolted and he brought Holmes back and continued the volumes for the rest of his life.  I don’t want this to happen to me—I want to write on different topics and explore new interests.

 

What happens next?  Is there another book? What are your future writing plans?

 

Yes, I have a book planned for the Christmas season and a second that I have finished but is being re-written by a fellow author.  When my books are done, I want them to be genuine, priceless.  When someone gives me the honor of reading something I have written, I want them to be able to say that it was the best use of their time ever.

 

What is your end goal for your writing career?

 

I want to write till my thoughts no longer come.  I have no delusions of grandeur.  If one person perceived value from reading one of my books, that’s good enough for me.

 

Do you use a pen name?

 

My pen says “Crystal Ball Contracting” on it.

 

Thank you for your time, Bruce.

 

You are welcome! Enjoy!

 

digital air

 Get your copy of “Digital Air” today!

Author Michael Haden Makes A Deal With God

michaelhadenQ) Hi Michael! I want to start by asking you where you live? Furthermore, what kind of area do you live in?

A) I come from Odessa. My city has extremely poor all the way to extremely rich. It is very diverse, and I am comfortable in the middle.

Q) I ask that because you grew up in middle America of the 70′s and I was wondering if the education of that period shaped you as a writer? Did you always know that you wanted to be a writer?

 

A) My dad was a studio musician and substitute teacher. My mom worked for the post office. In grade school they made fun of me because I was always reading. I got them back by nailing the highest IQ score in the school. It took me to the age of 30 to get the idea of writing a book.

 

Q) So, where did you get the inspiration to write your book? Did you always have some idea of how it would turn out? A plan?

 

A) It was always going to be non-fiction though. All the way up to the initial writing process, I thought I would go non-fiction until an amazing story line popped into my head. It seamlessly meshed with the non-fiction biographies I was researching at the time.

 

Q) It just popped into your head? What were you doing at the time?

 

A) I was working alone. My technician was in the hospital and I was working alone one week and a movie started playing in my head. The movie ended up being my first book “A Deal With God”.

 

Q) Let me ask you something that many people may struggle to answer. I want to ask you something that will make you look deep inside yourself. Who is Michael Haden?

 

A) Michael Haden is a successful businessman who happens to be a very good soccer coach. I love working with young people. I learn more from them than they do from me. My girls team is currently ranked 6th in the state and we have gotten 15 girls college scholarships over the last two years.

 

Q) Let me ask you something really important here Michael. You wrote your book about Deana. A talented girl who was killed tragically. How did you know her?

 

A) My son is 26. My daughter is 24. My daughter is in the book. She is Alexa on pg. 16. She was best friends with Deana.

 

Q) Now, you wrote your book “A Deal With God” as a tribute to Deana. What would you say is the overall message of the book?

 

A) One careless action can manifest exponentially to hurt a lot of people.

 

Q) I need to ask this. Do you think if Deana were still around today- would you have written a book?

 

A) No. She was my sole inspiration. She was that dynamic and charismatic. I always wanted to write a book, but I needed this kind of inspiration to put me over the hump.

 

Q) I guess, the book allowed you to express all the emotions that you felt after the death of Deana. Did you write “Deal” as a memorial? As a warning?

 

A) The book started as a story I told my younger players on road trips. The legend of Deana Murphy. She was an example of always giving max effort. When people heard me verbally tell her story they all told me to write it in book form.

 

Q) Well, I think every credit is due to you Michael. The book is outstanding! I just wanted to ask about the work you have done to try and reduce drink driving. Is that okay?

 

A) Sure!

 

Q) You are an active supporter of MADD?

 

A) I certainly am, Nick. I did a TV piece on Studio 10 on CBS With MADD in Tampa and I have done a fundraiser with MADD in Canada. For all those readers who aren’t familiar with MADD, let me explain. MADD stands for Mothers Against Drunk Drivers. It is an organization that promotes not drinking and driving. We are working on a big take away the keys from a friend or relative about to drink and drive.

 

Q) How successful has MADD been so far?

 

A) Truly successful, Nick! Every year we have less and less auto crash fatalities due to drunk driving. That is partly down to MADD.

 

Q) Well, thank you for your time and I hope all our readers take the time to go and check out “A Deal With God”. It a truly wonderful piece of work.

 

A) Thank you, Nick!

dealwithgod

Author Mike Trahan Explains The Gift

The title “The Gift” comes from a poem I wrote about my first flight and my first solo later on. The poem is also entitled “The Gift” and it states that I consider my love of flying as a gift from God, because it gave me a direction for my life. The book title came from this stanza:

Until that moment my life was aimless,

With no real goals in sight

The Lord gave me a gift that day

His Gift was the love of flight.

I have been told that my story is multi-faceted and that there are several lessons to be learned from it. I was not aware of that as I wrote it. I just wrote about the things I was involved in, starting at a very young age. For example: By the time I was fifteen I was driving my father’s tractors, driving a car, flying an airplane, playing high school football and baseball, dating girls, serving as an Altar Boy, and trying to keep up in school.

I believe this story could teach this generation that their possibilities are limitless, if they are willing to sacrifice to achieve things. It takes a lot of self-discipline to be able to successfully juggle as many things as I did, and self-discipline is one thing that is woefully lacking in today’s generation. Determination, drive, discipline, tenacity, resilience (the ability to bounce back after disappointments) are all essential elements of being successful.

The only “reward” we got from failure back in my youth was this – it gave us a chance to try again from a new direction. It also gave us a chance to overcome that failure and that built up our confidence each time we did it.

I feel the opportunities are still out there, but they are just harder to find. They do not fall in your lap as maybe they once did. To encounter that opportunity you have to be out there looking for it, and then you have to be proactive and put yourself in a position to take advantage of any opportunity that you encounter.

I can hear the questions resounding now – “How do we do that?” Well, to put yourself in a position for something you must be prepared for it when it comes around. I wanted a career in the Air Force or an Airline job, and I started preparing for that at a very young age. By the time I applied at Delta Air Lines, I had been flying fifteen years and had amassed over thirty-three hundred hours of flying time. When my opportunity came I had what Delta wanted.

 

Knowing what you want to do in life is the other facet of that. I went to Catholic school for the first seven years of my academic career. We used to say a daily prayer for “Vocations.” Of course we were praying that some of us would go into the priesthood or become nuns. But a vocation simply means a life’s goal or purpose. Immediately after I took my first flight, I KNEW that flying was what I wanted to do with the rest of my life. That is expressed in another stanza from my poem entitled The Gift:

Excitement, fear, confusion, joy

Are part of that first flight

But most of all the truth was there

And God it felt so right.

I said the following prayer as we taxied in from that flight, “Dear Lord, I now know what I want to do with my life. If it is Your Holy Will for me, please let me be a pilot.” Apparently my request was His Will for me, because, for the next forty-five years I was a pilot and I reached the pinnacle of my profession as a Senior Captain on Delta Air Lines, one of the premier airlines in the world.

If what you ask for is God’s Will for you, there is NOTHING that will keep you from achieving it. You may have to try and try again, but you will get there eventually. If it is not in His will and you persist in doing it anyway, then you may reach your goal but it will not bring you the satisfaction you thought it would.

What I am trying to say is this: If we try to live our lives always keeping God as a major part of it, and striving to live it according to His Will, then we will be successful and our lives will be blessed. I know mine sure has been.

You can meet Mike Trahan on his brand new page or you can just go ahead and get your copy of “The Gift.”