When The Sins Of The Past Claim The Future, The Craving For More Can Turn Deadly…. Paranormal Romance From Megan Elizabeth

sinners craving1

When the sins of the past claim the future, the craving for more can turn deadly…. 
When the Goddess of Love and the Father of Evil determine your fate, do you fight back?

Matteaus, leader of the Fallen, never backs down from a challenge.

Not even when his fated female proves to be the most challenging of them all.

A former warrior in the Heavenly Kingdom, Matteaus, bears the scars from a past filled with misguided deeds. Determined to right wrongs, his drive for atonement is his only companion – until his next assignment brings him in to the fiery path of a beautiful female who’s been on the run for reasons of her own.

Taylor, having no patience for an unwanted love affair, tries to ignore the instant attraction to Matteaus. Yet, as their desire for each other begins to overtake, Matteaus’ steadfast determination keeps him on the path of righteousness, and away from Taylor’s searing touch. Now Taylor and Matteaus must join forces to protect the ones they love.

Could this be the mission that finally earns his redemption? Or will his past cost him everything, including the one female he is destined to love?

You can download your copy now from Amazon for 99 cents!

*****

If you could work with any author who would it be?

Do I have to choose one? LOL. If I had to pick one it would be Kresley Cole. I admire her imaginative story lines, creativity and how well her books flow. Honestly, I’d just like to have the opportunity to pick her brain, once I get over being star struck, that is.

Who is your favorite author, and is your writing style similar to theirs?

Currently, I have two favorite writers: JR Ward (aka The Warden) and Kresley Cole. Though both of them are extremely talented, I think my writing style is more similar to Kresley Cole. She incorporates a ton off different aspects into her books much like myself.  She mixes all types of immortal factions as I mix immortal factions such as fallen angels and Greek gods.

What’s your favorite part of a book?

My favorite part of a book is that moment when your mouth drops open and you’re like, “I can’t believe that happened.” You find yourself smiling over it while people around you look at you like you’re nuts; then getting excited to read more–like the moment when you realize a character is so much more then you originally thought or a plot twist you did not see coming.

When naming your characters, do you give any thought to the actual meaning?

All of my characters are very personal to me. Their physical traits, mannerisms, and personalities are comprised of things I have experienced with other people. Many writers write what they know and are familiar with; I am no different. I write characters that I know and understand. When naming them, I take my time with it and make the connection I’m looking for. When speaking about them with other people, it’s like they are real to me.

How have your personal experiences affected your writing?

Well, my personal life was what started my journey into the writing world. I’ve have quite a few interesting experiences, and those experiences have made for good cannon fodder, so to speak. Usually, real events inspire the fictional ones in my books. They give me ideas for new characters, new story lines and plot twists.

What genre of books do you like to read? Do you limit yourself to only the genre that you write yourself?

I generally read paranormal; it’s where my love affair with reading began. I do try not to limit myself to one genre as reading many different genres can bring new aspects to your writing, but I’m always drawn back towards that original connection with paranormal. I find that when I read something else like contemporary, for example, I’m waiting for something to magically blow up or for the hero to reveal that he’s another species.

Were you always good at writing?

No, not at all. When I was very young I was diagnosed as dyslexic. Many specialist and educators believed that I would never read properly, be able to write or attain a college degree.  It took several years and a multitude of special classes, tutors and frustrating nights to get me where I am today. It’s been a struggle, but here I am with a B.A., CEAS and a publishing contract. It just shows people that anything is possible.

How do you get started with writing a story (as in, how do you start developing the story, how do you get inspired for it).

Usually an idea pops into my head for a story. I think of the main characters and develop them in my thoughts making them ‘real.’ The story unfolds like a movie, and I just write it down. It’s like the characters speak to me and all I do is tell their story. When I started writing “The League of the Fallen,” I knew it had to be a series and have eight characters that I could focus on–one character for each book. Each one is clear in my mind. I knew Matteaus’ book had to be first and Mika would follow; then the others stepped into line. When I get geared up to write them, I always listen to music and let the words flow. Many of my books have theme songs that I relate them to.    

What advice would you give to people who “run out of creativity” when writing?

Take a serious break and do not under any circumstance try to force the story. Pick up about five books and just read. Do not think about your writing at all and then it will come back. The more stress that is put on the situation the worse the block will get.

What is the most important lack in your life?

Though I’ve had my fair share of bad romances, each bad experience has brought me to this point. Without some of the more difficult times I would not be as driven, strong or determined as I am now. But my life is definitely lacking the ‘happily ever after’ that many of my characters get. Every girl dreams of their own personal Prince Charming. I haven’t met mine yet. Hopefully, he comes with glasses, an affinity for reading and can make me laugh.   

Why a fiction book? What caused you to decide to write fiction?

Because my mind lives in a world of pure imagination. The world of fiction is an extraordinary place–the possibilities are endless. I don’t think the decision to write fiction was a conscious one; it is the direction I’ve always been headed. Ever since I was a child I would always dream up new characters. I’ve found where I belong and the people I want as my friends in the world of fictional writers.

You are in Walmart looking at books—you see your new book on the shelf—what do you think?

Holy s**t!! In all seriousness, it’d be very surreal for me to see my book on the shelves anywhere. It’s an exciting process to be in, and I’m just grateful to have anyone interested in reading it.

You are on a plane and someone asks if you are Megan Elizabeth and raves about your new book—how do you handle it?

I’d thank them profusely, then ask them what their favourite characters or parts were. Find out which other authors they enjoy reading, and ask if they had any books they recommend I read. Offer to sign their book for them and ask that they keep in touch with me via e-mail, twitter or Facebook.

You have the #1 bestseller in America—what would be your first thought?

I’d probably cry many, many tears of joy and be extremely grateful to all the people who supported me along the way. Then keep on writing. It’s what I love to do.

Are you at ease when interviewing? Do you find interviews generally exciting or boring?

I’m a very talkative person and love to meet new people. So for me interviewing is fun and exciting. I feel very at ease, giddy even. I tend to giggle when people ask me questions about myself or my writing. The questions are thought provoking and at times things that you usually don’t think about on a day-to-day basis.

Are you a woman with strong convictions, and do those convictions shine through when you write a novel?

Absolutely, I have a very strong moral compass, and when I write there are certain lines I believe I cannot and will not cross. I do put my characters through their trials and never make it easy because that is life; but my convictions shine through my writing When I believe something is wrong, I won’t make my Hero or Heroine do them. I might let my villain or antagonist cross that line, but eventually they’ll get what’s coming to them, one way or another. My black and white sense of justice demands it.

What puts you off when reading a book? Bad grammar? Awful editing? Slow stories?

I love to read and devour books like it’s nobody’s business. But one thing that puts me off is a slow story with names that are hard to pronounce. If I have to stop my reading flow to figure out how to say a name or place in my head, it irritates me through the whole story and distracts from what is happening in the book.

Is paradise self-made or can it be found? Is writing your paradise?

One person’s definition of paradise might be different than mine. That being said, to me paradise is self-made. Life is what you make it! Being able to write and share my stories that is one kind of paradise for me. One I would like to continue living in.

You’re out on a date with a guy and he tells you that he hates reading. Does that end the date or do you just consider that to be his loss?

Honestly, for me I wouldn’t end the date then and there, but it would be a huge strike against him. In the end, it probably wouldn’t work out. I’d be talking about the voices in my head, and he’d think I was beyond weird. But I’d still try, you never know how things might work out.

You enter “The Twilight Zone” and find yourself in a world without books or reading. Is your first reaction to explore this new place or to leave in disgust at the illiteracy of this new world?

It’d be the most miserable existence ever! I’d explore but then find a way out or attempt to change the world one book at a time. When I’m not writing, I’m teaching young students to read, so it’d be the ultimate challenge utilizing all my skills. Write a book and teach them all how to read it. 

Why do you think reading has become such a rarity in the U.S.A? Do you blame video games and modern pop music for its decline?

No, I don’t blame video games or music for a decline in reading. When your first experiences with reading are not pleasant, why would you continue to do so when you’re not required by your teachers? Have you ever looked at the reading lists that they push on students in the USA? When I was finished with high school, I thought all books were depressing and had a horrible life lesson. It’s sad really that because our choices are so limited that many children miss out on the entertainment factor involved is a good story. People forget that reading of any kind is exercise for the brain, even if it’s just a great story. We should be giving our kids books that they will love and can’t get enough of. The life lessons will come when they face situations on a day to day basis. We don’t need to overwhelm them with stories about students who are bullied through the whole book then commit suicide. Why can’t the required reading include the Percy Jackson series, Harry Potter or even the Mortal Instruments? Who wouldn’t prefer music or video games over a book that’s depressing and filed with “life lessons.” Teach them to love reading, and the decline will stop. People who never experience what a truly great story has to offer are missing out on a whole other world, and it’s our own fault for not exposing them to it at an earlier age. I know I wish I had discovered that stories could be amazing at an earlier age. I’ve been playing catch up for quite some time now.

Do you agree that writers have to be salesmen in the Indie world?

I think all writers have to be salesmen no matter if you’re an Indie writer or a traditionally published writer. If you want to be successful at something, then you have to work at it, just like in any other career. Though this is my first book and I am technically not considered an Indie writer because I have a publisher, to me no matter the circumstances you need to be a salesman. I hope to entice many people to buy “Sinner’s Craving” and in order to do so I’ll have to put my sales skills to the test. No one is going to do it for you, especially in the beginning.

*****

meganMegan Elizabeth is a bestselling contemporary romance, and paranormal, author who currently resides in New Jersey, United States. Her first book “Sinners Craving: League of the Fallen: Book 1” was released in 2014. She has since written another book, in that series called Borrowed Sins, and has written her first contemporary romance novel “Bound To Me: The Leather Series: Book 1.”

Megan enjoys reading, watching movies and spending time with her family when she’s not working on her books. You can purchase a copy of her first book “Sinners’ Craving” today for 99 cents! Just click here to order your copy!

 

Rare New Alex Cord Art Movie Revealed: An Interview with Director Steve Carver

Alex Poe

Many people know actor and author Alex Cord from his work in the Western field, or from his iconic role on TV’s Airwolf. But have you ever wondered what his darker side is like? Recently, I was contacted by Steve Carver, a very talented photographer, who wanted to work with Alex. To my surprise, he told me that he made a movie with Alex back in the 1970’s. Long story, cut short, this is the movie: “The Tell-Tale Heart,” and to go with it ,we have an exclusive interview with Steve Carver.

You can learn more about Alex Cord by visiting his official Facebook page here. You can also learn more about Steve Carver here.

Enjoy the movie!

How did you happen to find yourself making a movie with Alex Cord? Did you know you’d be making a picture with him?

In March 1971, as a second-year directing fellow at the American Film Institute’s Center for Advanced Studies, I had completed a final draft of a screenplay based on Edgar Allen Poe’s classic horror tale, THE TELL-TALE HEART. With a budget of $10,000 for this second short film project, my hope was to produce, direct, photograph and edit a 35mm black & white, 30-minute movie that would be exhibited commercially in theaters and on educational television.

I sought casting recommendations from several Hollywood directors mentoring at the Institute, and the suggestion of Alex Cord came from Martin Ritt who had directed him in THE BROTHERHOOD a few years earlier. Alex fit nicely into the role of the man servant in the story.

What was the picture about—and why did it appeal to him?

THE TELL-TALE HEART was considered a classic of Gothic fiction genre, and one of Edgar Allen Poe’s most famous short stories of murder and revenge. The eerie tale follows Alex as a man servant, who narrates as he is gradually driven mad by his obsession with the repulsive, filmy “vulture eye” of the old man he cares for, played by Sam Jaffe. After murdering and dismembering the old man, the man servant hides the body under the floorboards. Ultimately, his guilt manifests itself in the hallucination that the man’s heart is still beating under the floorboards, and when police come to investigate, he offers a confession, convinced that they can also hear the heartbeat.

While there is an ambiguity and lack of details about the man servant’s character and plot, I think the appeal of the role to Alex was in the narration leading up to the murder. In the film, the narrator denies having any feelings of hatred or resentment for the old man who had, he says, never wronged him. He also denies that he kills for greed and endeavors to convince the audience of his sanity. In declaring that he is not mad, he instills in the audience the sense that he might indeed be mad and confirms it as the story proceeds. The specific motivation for murder that he commits becomes focused on the old man’s sinister, clouded eye, which represented some sort of veiled secret, or power. Alex developed this interpretation for his character.

What was it like working with him?

As an inexperienced student filmmaker, it was less scary to direct a camera than to direct an actor. However, it was a privilege and pleasure to work with Alex. He arrived on the set fully prepared, full of energy and positivity. Although I had a vision for every shot in the film, Alex’s performance, his saturnine demeanor in front of the camera, far exceeded what I imagined in my preparation. He enjoyed rehearsing, which gave me opportunities to connect to him, improving the overall film quality dramatically.

Alex and Sam Jaffe worked well together and made me feel at ease and confident. Our relationships off camera added more depth to the acting, and as a result, created a positive atmosphere on the set. It was clear that Alex and Sam connected better to their characters because they were doing what they loved.

What are your favorite memories of the shoot?

The entire production of THE TELL-TALE HEART was a great, memorable experience. It was my second theatrical short film and a real labor of love. We were a very tight-knit group of filmmakers, partly students from the Institute, on a mission, no drama, committed to getting the filming right. Everyone was focused and driven since we had only ten, eight-hour days to film the script, so we really had to make the most of it. The entire film was shot in a large home in an exclusive residential area in Hancock Park belonging to James W. Fifield, a prominent doctor in the community.

A solid cast with Alex, Sam, Ed Binns, Dennis Cross and Dan Desmond made every day magical. The wardrobe, props, dressing, and equipment was on loan from Universal Studios, Warner Brothers, and Mole Richardson. Famed animal trainer, Frank Inn, participated with a black cat that was a spooky cutaway. The film also has an excellent, original and appropriate musical score by the brilliant Elmer Bernstein.

Another memory, although not particularly my favorite, concerns an incident that nearly took Alex and the other actors off the production. It began with a “Confidential” letter that I received from George Stevens, Jr., the AFI Director. In part, it said, “I was dismayed to see the item which appeared in the gossip column of Daily Variety. It served no purpose and was a disservice to the Film Institute. It has generated disquiet over our purposes here and unbalanced out relationship with the Screen Actors Guild which was based on a careful understanding.”

Shaken and angry, I wrote back to George and explained that a zealous crew member had called the gossip columnist without my knowledge or approval and related some erroneous information regarding the actors’ compensation. Because the incident greatly jeopardized the production, I immediately contacted an SAG executive to discuss the informal agreement and satisfy the problem. Fortunately, SAG and the cast were very understanding and cooperative, and the production continued the following day.

The incident caused a great deal of embarrassment and damage to my relationship with the Institute. However, a few days later George received a letter from Dr. James W. Fifield which said, “A group from your institution has leased a property from our family. I wish you to know how proud you can be of them – each and all.” He went on to praise our activities in making the film and mentioned his future support of AFI’s program.

Later that day, I received a personal note from George. It read, “Dear Steve: You have made a speedy recovery. The attached note to me from Dr. Fifield was nice to read. George.”

Alex Poe 2How was the movie received?

THE TELL-TALE HEART was shown in November 1971 with MARY QUEEN OF SCOTS in several popular theaters in Los Angeles to qualify for consideration of an Academy nomination. As a result, it was reviewed by numerous movie critics as “a good adaptation of the Poe story” because it did not rely on big budget techniques. Kevin Thomas of the Los Angeles Times wrote, “Carver has adapted the classic Edgar Allan Poe study in psychological suspense and terror with considerable skill. It is an effective mood piece, a beautiful work in ominous light and shadow.” Other film critics stated that it was arguably the best film version of the story ever done.

Most memorable compliments that I received were from my mentors at The American Film Institute, George Stevens, George Seaton, Charlton Heston, and Gregory Peck. I will never forget their kind words.

In December of that year, the American Film Institute invited an audience of industry professionals to view a showcase of work by some of their student filmmakers. At the informal meet-and-greet reception afterward, I was approached by Roger Corman, who told me that he had directed film adaptations of Poe’s work and was impressed by my short film. Shortly after that meeting, I received a job offer at his new production company and went on to direct four feature films for him.

In 1972, THE TELL-TALE HEART won the Cine Golden Eagle Award and the Cork Film Festival Award in Ireland.

Can people see it still?

Yes, a copy of THE TELL-TALE HEART can be seen at the end of this interview. Also, there are several VHS tapes available for sale on eBay.

How do you feel about the movie now, looking back?

To this day, I am amazed by not only the movie that was made, but by the practicable knowledge I received at The American Film Institute that allowed me to go out and make the film. THE TELL-TALE HEART short film has had an immeasurable effect on my career in filmmaking. It gave me an invaluable opportunity to work with and learn from established actors like Alex and a keen sense of accomplishment and confidence.

Did you want to work with Alex again?

Yes, definitely. But the opportunity never materialized. Right now, I would like to photograph Alex for my photography book project described below.

What projects are you currently working on?

Seeking to refine my artistic vision, and motivated by a desire to take a break from directing, I have turned my attention to a different kind of creative challenge, hoping that it would provide a path toward deeper self-fulfillment. Motivated by a passion for black & white photography, I built a photographic studio and darkroom in Los Angeles to create exceptional images for exhibition, publication, and prestigious collections around the world, offering new interpretations of cultural heritages. I am currently creating a body of work that I consider to be among my highest artistic achievements.

Are you enjoying putting together a book of Western heroes?

Yes. The portraits that I am creating for UNSUNG HEROES & VILLAINS OF THE SILVER SCREEN are of some of Hollywood’s most respected and remembered character actors, many known from iconic Western movies. As celebratory chronicles, they capture the allure and mystique of the Westerner and the Old West, significantly incorporating the complexion of stylized 19th and early 20th century portraiture.

The volume will contain creative, rich and powerful visual representations with the camera searching into the nature of each actor, defining their diverse and auspicious personality, giving each portrait its special dimensions of inwardness and dignity. It will serve as a unique resource on the history of American cinema, and because of the interest generated from recent Westerns and classics playing on television, will attract readers all over the world and never become obsolete with a long life in print.

 

a feather in the ran

And don’t forget to check out the award-winning “A Feather in the Rain” by Alex Cord today! You can download your copy from Amazon here!

 

 

A Trilogy of Aviation: An Interview with Mike Trahan

Mike Trahan could be described as a “living legend.” In a world where everyone is a legend, we have to take that title with a grain of salt. Let me explain how Mike actually fits that title. Mike Trahan followed his dream to become a pilot. He had true grit and fought all the obstacles along the way. He became a military pilot and fought in a conflict far removed from his homeland of America. Mike is a veteran of Vietnam. When he returned home, he became a commercial pilot for an airline called “Delta” and achieved captain status. His record of achievement is high, and yet the man himself is so humble. Ask him what he couldn’t live without in his life and he will tell you that he can’t live without God.

Read this interview and then try one of his books. “The Gift” series tells of his rise to prominence as a pilot and frankly, if you aren’t moved by them, you have a heart made of steel.

Mike Trahan is exclusively with Novel Ideas. His first two memoirs "The Gift" and "The Gift Part 2: The Airforce Years" have been extremely successful. Mike is currently working on his third installment.

What was the hardest part of writing your new addition to “The Gift” series?

Condensing it so I can get sixteen years of life in one last book.  This is the last book in my autobiographical series entitled – “The Gift.”

What did you enjoy most about writing this new volume?

This is about the culmination of my flying career. It covers all my years as a captain on Delta Air Lines.  The first three books are about striving for that goal, and now that goal has been reached. I call it my “Happy Book!”

Being a pilot do you use a lot of jargon? Can you explain some of it?

I use a lot of aviation jargon that many readers are not familiar with – such as ILS, which means instrument landing system. RVR – runway visual range.  Category III Approach – which is basically a landing in zero-zero visibility, wherein we actually touch down without seeing the runway until the nose of the airplane comes down. I try to explain these things as they come up.

What is different about this book? How did you make this book different to other books about flying?

There are many books about pilots and flying, but few that actually take the reader along on those flights. I am doing that as much as I can. I want my readers to know what being an airline captain involves, intellectually, technically, emotionally, and physically.

Are there misconceptions that people have about your book?

Yes, there are.  Since these books are autobiographical in nature, people assume they are about me.  They are not!  They are mostly about people I’ve met along the way, and the airplanes I flew. I want my readers to know the people who were influential in my life, and there have been many great ones.

What is the biggest thing that people THINK they know about your subject/genre that isn’t so?

Many of my friends, who had followed my life before reading these books, thought I had it easy, and that all these good things just fell into my lap. Many have told me that their biggest surprise was learning how hard I had to work to get where I wanted to go. I endured many setbacks along the way to my ultimate goal, and these books are about how I overcame those things.

What is the most important thing that people DON’T know about your flying that they should know?

I think it is important that my passengers know that they, and my crew, were always uppermost in my mind when I was in command of their airplane.  I sincerely cared about them, and I wanted their flights with me to be as safe and smooth as possible.

Mike Trahan, you are a man with many interest and inspirations. What truly inspires you?

I am inspired by people who overcome obstacles and difficulties in their lives, in spite of great odds against them. Our “Wounded Warriors” immediately come to mind.  They come home from wars with lost limbs, blind, and with all kinds of emotional injuries, and they overcome them. That inspires me.

Mike, you are an accomplished man. How did you get to be where you are in your life today?

I got here through hard work, tenacity, a lot of luck, and refusing to give up

Who are some of your favourite authors that you feel were influential in your work?  What impact have they had on your writing?

I always enjoyed reading a local author, Gordon Baxter.  Bax was a radio announcer, a pilot, a sailor, hot-rod driver, and all around interesting guy.  He could go up on a fifteen-minute flight and write ten pages about it. He saw things that others didn’t see and illuminated them in his writing.  He had what we call a “writer’s eye,” and he taught me how to develop that.  I knew Bax personally, and he encouraged me to pursue my writing and mentored me along the way.

What did you find most useful in learning to write?  What was least useful or most destructive?

Useful?  I’m not sure if I found anything useful, but I did discover that writing has given me a new zest for life, and a greater sense of curiosity about things.  I take everything in everywhere I go, in case I want to write about it when I get home.  I haven’t discovered anything destructive about it.

Are you a full-time or part-time writer?  How does that affect your writing?

I would have to say I am a part-time writer.  I am retired, but I have a lot of interests and obligations that take up a lot of my time. However, writing has become a wonderful diversion for me.  When I am writing a book, I usually devote four or five hours a day working on it.  I have often thought about going to the mountain region of New England and renting a cabin, so I can take a six-month writing sabbatical there.  I think that would be a lot of fun, and it would be interesting to see what comes out of it.

What are some day jobs that you have held and how have they affected your writing?

In my youth, I worked at my father’s mowing and landscaping business.  As a teenager, I worked out at the airport. My job was servicing airplanes and helping the mechanics. I was a part-time rancher for twenty years. I spent four and a half years as a pilot in the Air Force, and thirty-two years flying for Delta Air Lines.  All of these things gave me many interesting experiences to share with my readers.

For those interested in exploring the subject or theme of your book, where should they start?

It depends on which theme you are talking about.  If they want to be successful in life, they should read the books with that in mind.  I came from an average background and have average intelligence, but because I had a passion for what I did, and the discipline and drive to get it done, I succeeded.   If they are interested in flying, reading these books will tell them what is involved in getting into that.

How do you feel about E-books vs. print books and alternative vs. conventional publishing?

I think ebooks are great for people who like to read a lot and tend to travel.  They can carry an entire library in their Kindle reader if they wish.  Ebooks are quick and easy to publish, so, as soon as the manuscript is ready to go, you can have it in front of the readers in less than twenty-four hours.  That gets your book out there, and it creates interest for those who like paperbacks.

What do you think is the future of reading/writing?

I think ebooks are the coming thing, as well as audio books.  Those who cannot read because of blindness, or just bad eyes, can enjoy an audio book.  People who drive long distances can listen to them.  When I finish this last book in  this series, I am going to go back and do all four books in the audio format.

What process did you go through to get your book published?

At first, it was trial and error – lots of errors.  I discovered CreateSpace, which is the self-publishing arm of Amazon, and my friend, Fred Hubbard, who is an expert at MAC Computers, helped me format my first book and get it on Amazon.  Then I had the great good fortune of meeting one Nick Wale, who took an interest in my writing, and he has guided me through this maze since then.  All I have to do is write the book, and get it edited by a professional.  I use the services of Becky McLendon, who is a retired English teacher, and whom I call the Grammar Nazi.  Once Becky helps me find and correct all my errors, I send the manuscript to Nick, and he formats it and sends it to Amazon.  Once the book is on line, Nick takes over the promotional side of it.  I have been very pleased with both Becky and Nick. They have taken all the aggravation out of it for me, and all I have to do is write!

What makes your series of books “The Gift” stand out from the crowd?

I believe the subject matter is compelling.  Flying is still a romantic endeavour in most people’s opinion, and they like to read about it.  I also think my writing style appeals to the reader.  I write like I speak. The readers tell me that reading my books is like having me sitting there telling them the stories.  Apparently they like that.

How do you find or make time to write?

I am an early riser every day, so most of my writing is done before most people wake up.  I just make the time at other hours of the day.  If I am in the mood to write, I just go to my room, fire up my MAC, and write!

Do you write more by logic or intuition, or some combination of the two? Can you tell me a little about your writing process?

Since I am writing about the experiences in my life, I rely on memory more than anything.  For instance, if I want to write about a particular flight, I go to my old Flight Log Books, look up that flight, and start remembering everything about it.  I ask myself questions like – What kind of airplane was I flying? Who was with me? What were we doing?  Where were we going? What was the weather like?  Soon a picture of that event begins to emerge, and then it becomes a movie playing in my head. If I get deeply enough into it, I find myself present in that moment again. It is like I am re-living that experience, and all the emotions and feelings come back to me.  That can be a powerful experience, and some of my best writing happens when I reach that level of recall.

It’s hard to be a writer these days with all the competition you have to face. How do you promote your work?

I rely on Novel Ideas to do most of my social media promotion, and that relieves me of a lot of that hassle.  I also sell autographed books from home, and go to local book signing events.  Promotion is not my favourite thing to do, but I know it is a necessary evil, if I want to sell my books. And it does detract from my writing time.

How would you describe yourself as a writer?

I’m not sure.  I’m just a guy, who is telling a story.  I would have to say that, at this point, I am still a writer.  After I sell one hundred thousand copies of one of my books, I will call myself an author.

What do you like to read in your free time?

I like to read books by my fellow local authors and friends.  I am reading Becky McLeondon’s “The Day I Grew Wings” right now, and I just finished Captain Steve Taylor’s “Wheels Up.”  Both are excellent books.

What projects are you working on at the present?

“The Gift Part Three – The Delta Years” is done now.  This is the last book in a three volume autobiographical series, and covers all thirty-two years with Delta.  I’m not sure what I will be working on next.

What are your plans for future projects?

I am not sure which direction I will take after this autobiography is finished.  I am toying with the idea of writing a novel, but I am not sure I have the imagination required for that.  We’ll see.

Mike Trahan is currently having his series of books turned into audiobooks. The second in the series will soon be available on Amazon read by Paul Provo. You can download all three books in the series as E-books and as Paperbacks by clicking on the covers below.

The Gift The BeginningThe Gift The Air Force Years The Gift The Delta Years

 

 

 

 

 

 

 

 

 

Around The Campfire with Western Writing Raider W.M. Montague

W. M. Montague

W.M. Montague is an enigma when it comes to the writing business. His original release was a seafaring tale of adventure, plunder and good deeds. It was called “Mr Bonner and the Amazing Adventures of Poseidon’s Charge.” After that success, he decided to turn his hand to writing the Westerns he so loved. Now he has a second Western coming out, and his first, “Treason on the Trail,” has been a major hit for the past few months.

This interview could very well help you decide your next Western adventure… Are you ready to take a short ride with W.M. Montague?

Mr Montague, what was your first experience of the Western genre?

As a child, I was given several Zane Grey novels, which were very popular in the late 1950s and early 1960s. Later, I became interested in the TV shows that were popular at the time, and I didn’t miss any of them. I tried to see every John Wayne movie—and the first one I saw? It was “The Alamo.” Surely the greatest of Wayne’s performances.

Why do you think John Wayne resonates with so many people?

Charisma. It’s the charisma. Wayne oozed charisma. He could take any story, any script, any character and give them the traits of, what my generation would call, the greatest Americans. A noble people, with principles, personality and the ability to think about others—not just themselves. Wayne was the mold for the American way in movie form.

Would you say the character of Dave Rose is based on the screen personality of John Wayne?

Yes, I would. Dave Rose is a man who wants what is best for his town. He doesn’t wait around for the government to give him a handout. He doesn’t want help. He just wants to do the right thing. When his son is held by the sheriff unjustly, he finds himself faced with a choice—he can save his son, he can save the town—or he can do both, and just like Wayne’s characters, he strives to do both.

Do you love country music?

I do. That reminds me of a story, actually. remember one time, my folks and I attended a Hank Snow concert. We bought an album, and Hank signed it for us. When we got home we found that we had actually purchased an Elvis Presley record. Needless to say the good folks at RCA Victor had to send us a new album, complete with a new autograph. That was back in the day when customers came first.

Do you think Westerns say much about the American way?

I think Westerns ARE the American way. Look at any good Western movie, book or folkhero. America, or at least the America I grew up in, is a place filled with decent, hardworking people. A place where your children can grow up safely in a society where people make use of their lives. Just like in the Western, there are rogues, vagabonds, and even bad men—but society doesn’t just sit around waiting for the government to solve these problems. Society acts. I don’t believe in others solving my problems. I solve my own problems, as do the Americans I know. A good Western is a true pictorial of the American way.

Where can we find your new book, “Treason on the Trail,” and will there be a sequel?

You can find it on Amazon worldwide. You will also be able to buy it at one of my book signings, and it will be available through my new website soon. There will be a sequel, and that sequel will be coming out in May 2016.

You can hit the trail with the first W.M. Montague western. It’s available now from Amazon. Ride on over, kick down the door and pick up a copy of “Treason on the Trail.” You won’t regret it!

Treason on the Trail Final Cover

 

Voyage avec Boyd Lemon et son nouveau livre

boyd  Paris

Bonjour! This interview with Boyd Lemon is all about travel! Boyd has spent much of his retirement travelling around the world. What would it be like to live in Paris? How would the weather in Tuscany suit you? I think we should find out from someone who really knows… Take us on a trip, Boyd!

How did you come up with the title of your travel book?

The book was going to be about what I did in Paris and, to a lesser extent, what I did in Tuscany. As I was thinking about what I did and reading over my journal, which I kept daily while I lived in Europe, it occurred to me that most of what I was doing was eating, walking and writing. It hadn’t been so long since Elizabeth Gilbert’s book, “Eat, Pray, Love,” had come out, so that format was in my mind. So “Eat, Walk and Write” came to be. I liked the title, and it certainly says what the book is about.

Can you tell me about your experiences in France? What was it like to live in Paris?

I think of the movie title “The Good, The Bad and The Ugly,” except that the good far outweighed the bad and the ugly in this case. The good was like being in Disneyland 24/7—maybe I should say a child’s view of Disneyland. There was nothing like it in my experience. I had been to Paris twice before I lived there—once for two weeks and once for a week—but there was nothing like living there full time. Seeing the architecture, the art. It was mind blowing. Even after months of being there, it never ceased its magic in my mind. The bad and the ugly really revolved around the dealings I had with the French government in documenting my residency and obtaining the proper visa, and I was reminded almost daily about the difficulties of living day to day life in a foreign country as opposed to visiting as a tourist. My biggest problem was not speaking the language fluently. It made everyday life stressful, and the ordinary activities of life were very time consuming as a result. It took a long time and created a lot of stress to do things like renting a house or opening a bank account. Even mailing letters or receiving mail in the local post office all took a great deal of time because it was in a different language. The French bureaucracy is worse than that of the United States, in my opinion. So that was the difficulty; but all in all, the magic of Paris overcame that, and I have always been grateful that I had the experience of living in Paris and travelling within France.

How similar was Paris to your expectations?

I didn’t have a lot of expectations because I had been there before. So I thought that I knew what it was like, but I didn’t. As I have said before, living in a place and having to deal with day to day living is different from the experience of a tourist. Being able to be in a place that people all over the world dream of going and being there every day and not be rushed to see the sites because I wasn’t on vacation was wonderful. It’s a great feeling to know, for example, that if you go to visit the Louvre like I did in the summer, and there was a very long line, that I didn’t need to see it that day. I could come back in the fall oe winter when it wasn’t so crowded. To have that luxury is wonderful. I’ve already described the not so happy expectations. I did not expect the bureaucracy to be so difficult, and I didn’t expect it to be so difficult to learn the language.

How do you start to write a travel book? What is the first step?

I think the first step has to be that while you’re travelling, you need to write a journal on a daily or almost daily basis so you get the detail down. In a travel book, the detail is terribly important because usually people want to refer back to the travel book if they plan a trip to the place you wrote about. They need to know names and specific descriptions of places in order to first make a decision on whether they want to visit the site you wrote about, and if so, how to get there and what to expect. So I think it’s important to write down every day (or almost every day) what you have experienced. It also has the benefit of making your facts more accurate rather than trying to remember months later what you saw and heard.

What travel books have most influenced your life most?

I would say Steinbeck’s “Travels with Charlie.” That may have been the first travel book I read. At least it was the first that I remember reading. It made me fall in love with dogs for one thing and also the joys of travelling. Another book that influenced me is a much more recent one that many wouldn’t consider to be a travel book, but I think it is—Sheryl Strayed’s “Wild.” It’s about her hiking the Pacific Crest Trail from Southern California up the west coast. It follows mostly the mountain ranges along the coast, so she was travelling by hiking. It’s a memoir, and the travel and the writing she did shows how travel can change one’s life and make one understand himself or herself as a person much better than being restrained by the routine of everyday life and having the time to contemplate. She, by the way, kept a journal as she travelled.

If you had to do it all over again, would you change anything about your time in Europe?

I can really only think of one thing I would change. That would be to learn the language before I went. It was a mistake on my part—especially with the French language, which is difficult for English speakers to begin with—to go without knowing the language at all.

Do you recall how your interest in travelling originated?

Yes, I do. As a child, I did virtually no travelling because my parents couldn’t afford it and didn’t seem interested anyway. The only place outside of southern California, I had been before the age of 18 was one trip to Las Vegas. The first trip that I took after entering college was to New York City. I was a member of the competitive debate team at the university I attended, and there was a tournament at Harvard University. In 1958 we took a plane to New York City, and most of the passenger planes were not yet jet. I went on a DC-6, and it took ten hours to get from Los Angeles to New York. Those planes were unbelievably loud compared to today’s jets; to me it was a real adventure, the first time I’d ever been on an airplane. We then took the train from New York City to Boston. I have been hooked on travel ever since. The idea of being 3,000 miles away from home and in a different time zone was just amazing to me, and even though the time difference doesn’t seem so amazing anymore, it is still a thrill for me to think of the people back home and what’s going on back home and how different it is where I am. It leaves me in a state of constant amazement, especially if I am far away from home.

What is your overall opinion of the airlines of today?

I would say air travel is disappointing nowadays. I can remember back during the pre-9/11 days and even before there were any metal detectors. Metal detectors were placed as the result of plane hijackings during the 80s and 90s. That was the beginning of the security passengers had to go through, and then 9/11 made it a much more difficult experience. That’s part of the disappointment, even though it’s necessary. The other part of it is what the airlines themselves have done, for the most part, airlines in the United States—United, American, Delta—have pretty much cut out serving meals with a few exceptions, and the smaller airlines have cut meals out completely. They have also packed more seats into airplanes, and it makes travelling less comfortable than it used to be. I can remember flying from the east coast back to Los Angeles and sitting on the floor of a Boeing 747. They had some space between first class and coach, and there were several of us passengers sitting on the floor playing blackjack with flight attendants. Something like that could never happen today, and the old saying about “the joy being in getting there as much as reaching the destination” is certainly not true about air travel anymore. Flying today makes one want to get on and off the plane as quickly as possible, compared to flying in the 60s and 70s, when part of the fun was the flight.

Where will you be visiting this year?

I have two trips confirmed and a third that may be put off to 2016. I am going to Nova Scotia, which I understand is a relatively unspoiled beautiful place. I’ve never been there. I’ve been to several Canadian cities, but I’ve never experienced the natural landscapes of Canada, and as best I can tell from reading and watching travelogues, Nova Scotia is one of the most beautiful places in the world. I also understand that the trans-Canadian highway is a beautiful drive, so I plan to drive from Nova Scotia across Canada to the west coast ending in Vancouver. The second trip I plan is one that I’ve taken twice before and that is on the Caribbean in Mexico, which is another beautiful spot and very relaxing. I usually spend a couple of weeks, maybe longer this time, in a thatched hut on the beach. I always get a lot of writing done there—hopefully, I will this year too. The third possible trip is Greece and Turkey, and I may visit there in the fall, or I may put it off until next year.

Did you ever get homesick?

Yes, but not for a long time, and I don’t want to say any more about that because I don’t want to give away the ending of the book for those who haven’t read it yet.

What was the hardest part of leaving Europe?

The realization that at my age I probably would not have the opportunity again to live in Europe. I certainly expect to travel in Europe, but I doubt that I would have the opportunity again to live there. I would love to live in Italy or England, but I don’t expect to have the opportunity to do that for a variety of reasons, and that made it difficult to leave France, even though it felt good to be home again. It’s always good to be home again. I know some people think that because they’re happy to be home they shouldn’t travel anymore, but I don’t look at it that way. I’m always happy to leave on a trip and always happy to get home again. It’s a win-win situation, as they say.

Did you learn anything from your travels?

Yes, and I think that the most important thing I’ve learned from my travels is that, as my mother used to say, there’s more than one way to skin a cat. Although that sounds rather cruel—what it means to me is that there’s more than one way to live your life, and travelling really taught me that because people in different parts of the world live very differently, there is no one way that is right, or good, or bad, or wrong. It’s just different. People in different cultures see the world differently, and every culture has good and bad if you want to make a judgment about it. I think travel has made me a more tolerant and accepting person—more tolerant and accepting of people who are different to me—and I think that’s a very valuable lesson. If more people learned that lesson, we’d have a much better world.

Do you have any advice for other travelers? What should they expect from Europe?

My number one piece of advice is to expect when you travel: at your destination—especially if it’s outside of your home country—things will be different. Rather than think that things are the right way or best way at home and the way things are done where you have travelled are worse or better than home, think of them as being different. That goes a long way toward keeping you from being upset at those differences. As far as what should people expect from Europe—again, if you’re an American, people live differently in Europe. Although there are many prosperous and not so prosperous people, many of the luxuries we enjoy in America are not available in Europe. You won’t find clothes driers in Europe, for example—except for very wealthy people. Most people hang their washing on clothes lines to dry them. That’s a small difference, but multiply that by a thousand and you will appreciate the differences you will experience in Europe. I look at that as one of the joys of travel. To see a different way of life from the one we experience on a day-to-day basis.

Did you find language to be a barrier?

I have found that if you are a tourist in a country where the language is different from your native language, it is not a great barrier, especially if your native language is English. Nowadays, there are enough people who speak at least some English in the areas tourists frequent. The opposite is true of those who want to live in another country and will have to deal on a day-to-day basis with shopping, banks, landlords and utility companies. So my answer to this question is different depending on whether you will be a tourist or living in the foreign country. Unless you’re wealthy, the probabilities are that you are not going to be living in the tourist area. The probability is that the area you will live in will not have many English speakers. So life will be difficult if you don’t speak their language.

boyd lemon eat

After a lifetime in southern California and three years in Boston, the author at age 69 retired from the practice of law and moved to Paris to eat, walk and write. He describes in vivid detail the challenges of learning French; dealing with the French bureaucracies, public and private; facing the charm and smugness of the Parisians; as well as the joys of experiencing the cuisine, neighborhoods, art and history of the world’s most beautiful, vibrant city. After nearly a year he travels to rural northern Tuscany and revels in its scenic beautify, food and serenity until a shocking experience send him home to California.

Join Boyd on his journey in his book

“Eat, Walk, Write: An American Senior’s Year of Adventure in Paris and Tuscany” by downloading your copy today!

Taking Over The Nation: An Interview with the Latest Western ‘King’ Seth Nation

Nation Pub Photo

If you are asked about a man named Seth Nation—you may not instantly recognize his name. Yet, Seth Nation, is one of the true contenders for the top spot. Why? Because he’s a very talented author. He is one of the true embodiment’s of Western writing.

This interview is with Seth Nation. It’s his first, but won’t be his last. Snuggle up against your horse and learn about one of the best new writers on the scene. Before the end of this little lecture you will be heading on over to Amazon, and clicking the buy button.

***UPDATE***

Nation is currently sitting at #45 on the bestseller lists. Download your copy right here.

 

 

 

How are you doing today, Seth?

I’m doing very well, thank you!

How do you feel about the success of your first book “The Devils Brand?”

It’s doing very, very well. I’m very proud of the progress the book is making. I just hope readers enjoy it!

Who is your intended audience and why should they read your book?

The audience I like to think would enjoy this book are folks who love the Old West and the genre of Westerns. I like to write with the idea of what would it be like if Quentin Tarantino directed a John Wayne movie—a little of the old meets the new, so to speak.

Why do you think Westerns are still so popular?

I think it’s only natural that people enjoy the history of our great nation. Who wouldn’t want to read about one of the most exciting times ever?

How did you come up with such a great title?

It came to me while I was writing, and describing the scar on Ethan Brody’s cheek, it seemed like a good fit. Gideon Pratt, the antagonist in the series, is sort of a devil in my mind, so I am sure that the word “Devil” will work its way into the title of future books in the series.

Who is your favorite character from “The Devils Brand” and why?

Oliver Kingston Dukes. I like the idea of everyone in your whole life thinking you are no good and only in it for yourself, but in the end, you prove them wrong.

How about your least favorite character?  What makes them less appealing to you?

Martin Katy. He is just a weasel of a character with no backbone.

If you could change just a single thing about your novel, what would it be?  Why?

I might shorten the prologue up some. The backstory in itself could be its own book. But in writing about the character of Ethan Brody, I wanted to focus on what he did later in his life after the incident, not what he did when he was younger in the immediate aftermath, so I inserted flashbacks to cover some of the bases.

Give us an interesting fun fact or a few about your book or series.

The first name Dave, from the character “Dave Cutler,” is named after a childhood friend of mine who unfortunately passed away many years ago. When I first started writing this book and I had a few chapters down, he was one of the first to read it and really gave me some inspiration to move forward and think about writing this. Also, there are a few references to “King’s Hill” in the book; it is the hill overlooking the town of Adobe Wells where the mine is located. In real life, “King’s Hill” was the party hangout back in high school, but alas that once wide open hill is now covered in suburban housing.

Which other books are similar to your own?  What makes them alike?

I really liked the Outlaw Josey Wales. I suppose some of that was in mind when I wrote this book.

Do you have any unique talents or hobbies?

I love to fish and camp, play golf, watch baseball, and spend time with my wife and kids. I guess I am unique in that when one of my friends said, “You should turn that into a book,” I did.

How can we contact you or find out more about your books?

In the very near future, you can contact me through my author’s website: sethnationbooks.com. You can also contact me via my publicist at Nick@nickwale.org.

What do you do in regards to promotion?

I publicise as much as I can—but I do leave it to my publisher and publicist. As a writer my job is to write—their job is to sell.

What can we expect from you in the future?

One more story at least involving the characters from “The Devil’s Brand,” perhaps two. I also am sketching out some ideas for a serial about a vigilante named Tom Henry Dutch.

What can readers who enjoy your book do to help make it successful?

Tell your friends, share it on social media, and leave reviews!

Do you have any tips for readers or advice for other writers trying to get published?

Just follow your gut. You’ll never have a perfect story, you’ll have plenty of things you want to change, but just stick to it

Is there anything else you’d like to say?

Thanks to anyone who has taken the time to read the book. I would appreciate any and all reviews. Thanks to my dad for Sunday mornings with the Duke growing up.

And now, before you go, how about a snippet from your book that is meant to intrigue and tantalize us:

Ethan was shocked. Who in their right mind could just watch that and leave? The two men sat in silence for quite a while.

“Marshal, you’ve been right helpful. I sincerely appreciate it. I reckon I’m going to be gone a bit. I’ll ask the Poes to watch my pa’s land. Until I return, I give them full rights to any decisions that need to be made. Ol’ Mr. Poe has done a right fine job so far. But I want one favor, Marshal Carver,“ Ethan said.

“Name it, son. If I can do it within the confines of the law, I will.”

“I want these sons of bitches running scared. I want them to feel every bit as terrified as my Abby did, and my ma. I want posts going out looking for a man named Pratt and any associates he might have. I want posters up. I want everyone for two states to know that I’m coming. I’m coming, and I’m riding hard. Hell has a rider, and I’m opening the gates. I won’t rest until I have my retribution. I want them to know Death is coming, and it wears a Union hat. It has a name, and that name is Ethan Brody. You do that for me Marshal, and I’d be much obliged.”

The marshal felt for the young man. He really did. “If that’s what you want, I will see to it,” was all he could muster. The lump in his throat was keeping him from answering any more.

Ethan went to the man and shook his hand. The firmness of the grip was all they needed to sign the bounty. An unspeakable moment passed, and they both were in agreement. Ethan turned to the door.

“Ethan, one other thing,” the marshal said. “That Indian, the one who had your mother’s tea set, his name is Two Birds, Johnny Two Birds. He’s in jail over in Salina. Might be a good place to start.”

All the marshal saw was the man’s back and a cloud of dust as he rode off.

Do you want to read one of the best western novels of today? Try “The Devil’s Brand” by Seth Nation. He’s heading on up to #1… Get your copy right here

seth nation photo

The Cowboy of Preacher’s Corner: An Interview with Western Literary Star Bruce G. Bennett

bruce bennettIf you are asked about a man named Bruce—many come to mind. There’s Bruce Springsteen, Bruce Jones, Robert the Bruce… and Bruce G. Bennett. The quintessential Western author.

Imagine for a few minutes that you are back in the Old West. A stagecoach has arrived in town, and you are helping the good folks unload their personal possessions from the coach. The door opens, and you find a man holding a book. That book is called “Preacher’s Corner: A Gabriel Torrent Western,” and the owner tells you this is the latest Western bestseller from Bruce G. Bennett. You are stuck in Cheyenne for the day. You sit down, and you start to read. Meet Bruce G. Bennett.

*****

Nothing gets more Western than Bruce G. Bennett.

Of course, doing a really preposterously good job of writing Westerns depends a lot on knowing the rules about what makes good writing. Knowing the archetypal definition of telling Western tales: How is this story different? Why is it individual? What is that character driving at?

 As a writer, it takes someone with patience, intelligence and an imagination the size of Kansas. Take Bruce G. Bennett, for instance—a writer who scored a huge hit with “UnAmerica” and then disappeared to take in the country air. He then came back with three possible books, the first of which is now sitting on Amazon. It’s called “Preacher’s Corner,” a Western. A true, gritty, down-to-earth Western that will blow you away. That’s why Bruce G. Bennett takes his time. He, as a writer, needs to blow you away. The second book of those three he presented will be released later this year.

.On a personal side, he lives with his wife in Pennsylvania and spends his days writing and listening to the sounds of Marty Robbins and other country superstars.

 *****

Bruce, how did you get into the writing business?

I always enjoyed reading, and as a salesman, I had a lot of opportunity to travel the world, normally with a book in my hand. I decided to try my hand at writing because I had a story to tell. That story became “UnAmerica,” and readers liked it. I just hope they will enjoy “Preacher’s Corner” as much.

Why Westerns?

As a kid, I would watch the Westerns on TV—Gunsmoke, Bonanza, Wild West West, and the rest. I knew that I enjoyed the genre, but I didn’t really think anyone was writing Westerns anymore—let alone reading them. My publicist told me that Westerns were a big market and BOOM! I knew I was going to write a Western. It was a dream come true for me.

Do you think you will write more Westerns?

Certainly. Just as a writer needs to write, the Western reader needs to read. I have the second one plotted out in my head already.

What do Westerns say about being American?

That’s an interesting question—and one any American could answer in a very deep and personal way. For me, the Western signifies the struggle we went through becoming American. The fighting, the independence, the struggle and the strife. Westerns are the history of our country—the place where we all came from.

Do you enjoy the Westerns currently riding high on the bestseller listings?

Certainly. Especially those of my good friend, Cliff Roberts. I was fortunate enough to have a foreword for my new book written by Jeff Breland, who has a great series of Westerns called “The Loner with a Badge Series.” I also enjoy the publisher I am currently allied with—Outlaws Publishing. A good name for a Western publishing company, don’t you think?

Where do you see Westerns heading in the future?

I see them staying as popular as they currently are. A lot of people are moving into writing Westerns, and those people are having varying degrees of success. It comes down to the stories they write, though. The readers are there, but the stories have to be good. If the stories are high quality, there’s no reason for the Western to die.

What would your dream Western be?

I’d love to write about some of the great Western folklore heroes. Guys like Davy Crockett, Billy the Kid, Sam Bass, John Chisum, Joseph Glidden. I believe there are a lot of untold stories from that time. I would love to be the one to write them.

Why did you sign with Outlaws Publishing?

My publicist suggested them as a good alternative. I liked their marketing plans; I like that they know the market. I enjoy that they, along with my publicist, take care of my writing needs. Every writer should consider a publisher, but that publisher has to be a good fit for the author. Outlaws was what I needed at that time.

Will there be any other books coming from you this year?

Quite possibly. I have a book called “UnDefeated” coming out in the near future—we are having the audiobook recorded right now. Watch this space.

Where can we find out more about you, and where can we buy your books?

Go West… to Amazon, young man. Search for Bruce G. Bennett on Amazon, and you’ll find out everything about me. It’s all there. If you need more information you can email my publicist at Nick@nickwale.org.

You can catch “Preachers Corner: A Gabriel Torrent Western” by Bruce G. Bennett today from Amazon. You can also learn more by visiting his official Amazon Author Page today.

preachers corner cover

 

The King of the Trail: Top Western Writer John D. Fie. Jr Reveals All

john d fie photoWhen it comes to big names, in a big industry, John D. Fie., Jr. stands out. His two giant-sized hits have both been in the top ten for months, and he has a third book on the way. Fie isn’t just content to be “another” author. He has crafted his way into the big league… it’s nothing these days to be a legend—so we’ll just call Fie a Cowboy.  And let’s see what the Cowboy has to say about his great success…

 How did you come up with the title of your book or series?

I was looking at a photo of the Kansas Plains and thought about how it must have been back then, with the first wagon trains crossing the plains and facing a vast nothingness in all directions. Then, the thought of Indian attacks and the blood that must have been spilled making that crossing. As I looked over more photos, the story was forming in my mind. I then came up with the title Blood on the Plains. Luke Pressor, U.S. Marshal is a story in itself. I was asked to publish a short story by Outlaws Publishing. I looked through the short stories I had written over the years, and I just couldn’t make up my mind. Then I thought, why not combine a story or two? From the outset, it became a challenge. Luke Pressor became the hero of the story. This is how it became Luke Pressor, U.S. Marshal.

Tell us a little bit about your cover art. Who designed it? Did you have your covers in mind before you saw them?

Blood on the Plains, at first, had a very bland looking cover. I had a contract with a different publisher at the time. The book wasn’t moving. Outlaws Publishing took a look at the book and the cover. It wasn’t until I signed with Outlaws Publishing that the book was pulled from the market. The book was re-designed, and I immediately saw the difference. The book, with the new cover design, just jumped at you. I knew right then I had made a good decision going with Outlaws. They specialize in the Western genre. Luke Pressor, U.S. Marshal also had two different book covers. Several covers were designed, and we put our heads together and again came up with a colorful book cover with eye appeal.

Who is your favorite character from your book and why?

Would you believe I have no favorites? The characters in my stories live in my head. They’re my children. I try to give them the same attention as the others to keep my stories alive.

How about your least favorite character?  What makes them less appealing to you?

The least favorite would be the minor characters, I suppose. They are the characters who enter the story and leave in a chapter or by the end of the book.

If you could change ONE thing about your novel, what would it be? Why?

With Blood on the Plains, I would say the ending. I left the reader with a rather short ending. I  maybe should have embellished on the romance between Sally Phillips and Matt Hutchens. In Luke Pressor, U.S. Marshal, I think perhaps I should have introduced the marshal into the story earlier to add a little more excitement.

Give us an interesting, fun fact on a few about your book or series.

I like to use small, quick one-liners in my stories to add a little comedy. Also to have a few characters that are somehow different from the others.

What other books are similar to your own?  What makes them alike?

I honestly can’t think of any. I try to be different than other authors. There is one complaint that I hear all the time about Western books—that they’re all the same. I try hard to be different.

Do you have any unique talents or hobbies?

Making people laugh. I also collect baseball cards.

How can we contact you or find out more about your books?

You can go to my Amazon author page (amazon.com/author/johnfie or go to Outlawspublishing.com). Visit my blog on the Cowboy Campfire at Outlaws Publishing or email my publicist at Nick@nickwale.org.

Why are Westerns still so popular?

As surprised as people are at the success of Westerns, I’m really not. I’ve always enjoyed the West, and I know many others have, too. I think there’s a lot of hype when it comes to romance, erotica and horror—but the Western fanbase is just as busy buying the books they want.

What can we expect from you in the future?

A sequel to Blood on the Plains will be releasing soon entitled Benson’s Creek, plus another short story later on in my Wild West short story series.

What can readers who enjoy your book do to help make it successful?

The best thing a reader can do for an author is to leave a review. Tell others about your experience. Let the author know about your experience with the story.

Do you have any tips for readers or advice for other writers trying to get published?

For new writers, make sure you get an editor. You can’t edit the book enough. When you’re ready to publish, look around and choose wisely, then stand by for the reviews.

What do you think is the key to success?

Good writing, good promotion and making sure you surround yourself with those who will help you, rather than hinder you. A good publisher, publicist, and editor will make you as an author. A poor publisher, publicist, or editor will break you. I need say no more.

Is there anything else you’d like to say?

I would just like to let everyone know that I enjoy creating stories. A good, clean, and different story looking in some of the untouched areas in the Western genre. My readers can write and tell me what they like or don’t like. Maybe they have an idea. Just let me know. You already know how to contact me, and I’d be glad to visit with you.

Why don’t you give the latest John D. Fie. Jr novel a chance? “Luke Pressor: U.S. Marshall” is currently available on Amazon. You can order it here.

luke pressor cover

Optimism, Consistency and Dreams are the Greatest Tools For Book Success

womanI had a dream. To spend all of my life in one place doing something for others in an industry where few things are done for the benefit of others. The one message that I wanted, and will always want to continue to give to the world, is that if you can dream it—you can achieve it. Nothing is impossible. If the idea comes to you, only you can make it or break it. That’s why I am addicted to optimism. I have a faith that is, for want of better words, sensational. I don’t care what the genre is; I don’t care who the author is; I don’t even care whether or not you’re a professional writer. That’s not the subject. I am not here to lecture you and tell you what is wrong with your dream—I am here to help you. I am a follower of optimism, and that optimism gives me faith in your ability to tell a story. All of you can be followers of optimism no matter what your background or faith. I don’t promote a service—I promote a relationship. I don’t promote a series of doctrines. I promote a person. An author.

And what can an author do to make themselves heard? The biggest and most powerful form of promotion is optimism. A belief in your product that is greater than any belief you’ve ever had can be more useful to the success of your book than any number of ads, promotions or reviews. The road to a successful book is one of stability and consistency. The power to remain consistent comes from optimism, and you hold the power.

I was asked the other day why I had worked on books other promoters, publishers and book experts had turned down. I thought for a few moments and said, “Because everyone should have a chance to succeed. Everyone should have the opportunity to have their book read by the world. I believe in the person, not the size of their budget.” And this is true—because if it were not so, W.M. Montague would not be selling more books than ever; Cliff Roberts would still be looking for an editor, and he would not have had his books sold in almost every country in the world; J.C. Hulsey would still be retired, rather than running a publishing empire. My faith in others binds me and pushes me to want to make others successful.

So what can you do right now to make a difference in your book sales? You can start your day by believing that you will have ONE sale today. You can take that same belief every day and believe that you will have a sale every day. If you can achieve that one goal, then you can make your dreams bigger, wider, stronger, and you can achieve great success. If you have a small victory, you will find that your faith will stay consistent, and soon you will be working towards that bigger goal—that success in the publishing business that we are told is so rare, so uncommon.  If I can dream it and achieve it, and if Cliff Roberts, J.C. Hulsey, W.M. Montague, and the rest of my clients can dream it and achieve it—so can you.

Optimism and consistency walk hand in hand with each other. If you can believe in these two things, you will be successful. You can contact me through the contact form below. I would love to hear from you.

 

Ride The Trail with Cowboy Hitster Author Jeff Breland

81X8tTkav7L._UX250_

This interview is with one of the most popular western authors of the moment. His name is Jeff Breland. You may have read one of his books… If you have then you are in good company. If you haven’t… Well you may want to after you read this interview….

*****

In pursuit of two desperate outlaws, Stone rides into the sleepy little town of Abbot. After dodging an outlaw’s bullet, he captures them, but is forced to kill one after the fact. Placing the remaining prisoner in the ramshackle jail, he meets a beautiful Mexican girl. Ironically, she has a personal vendetta against the killer. The hanging she anticipates witnessing is foiled when two low-lives facilitate a jail-break.

As Stone prepares to track this killer once again, the Mexican girl insist on accompanying him. It is her desire, she informs him, to kill this animal herself. Stone refuses, but she is not to be denied. She will either ride alongside or follow behind. Given no choice, he relents.

As they chase this desperado along the Canadian River in northern New Mexico there will be times Stone is glad the woman is along. Other times he’s not so sure.

*****

Jeff, why do you think your Westerns have been so successful?

I think it’s all down to the fact that I have a series of stories that are traditional Westerns. I believe Western readers gravitate towards the books that they feel are traditional in their approach to the West. I also think readers like a story that will leave them on the edge of their seat. I try to do that with my books, and from my reviews, I believe I can say that I have been successful.

What makes a great Western novel?

A great story. Just like any other book. You have to remember what the West was about. It was a time of discovery, lawlessness, hard work and most of all—a time of great humanity. You have to have all of these elements to make your Western interesting, but you also have to add all the bad bits, too. The Wild West was exactly that—wild, so you have to make sure people have their fill of violence, even if it isn’t gratuitous.

Do you feel that some authors are too gratuitous when it comes to the violence in their books?

It’s not for me to judge the books of others. I believe all writers have the right to write whatever they want. Freedom of speech is one of the great cornerstones of our great land of America.

How do you approach marketing?

I use a publicist. He publicizes, I write. I do my fair share of posting on social media, though, with the help of my wife. My advice to you is to promote your work. You won’t get anywhere unless you shout, scream and raise hell.

Do you foresee a time when you will tire of writing Westerns?

I foresee a time when I will be known for writing other kinds of books. I’ve already written books that have nothing to do with the Western genre. I would like to continue exploring my ideas at my own pace—but I’m sure I will always write Westerns.

What makes a great Western character?

What makes a person a person? A Western character is no different to the person on the street today. The only difference is the experiences that shaped him. A cowboy had experiences that differ greatly to those of a student at college today. All you have to do is take a blank canvas and color the character with the flavorings of his time. The hard work, the struggle, religion, death and the constant danger of being in a new land. The better the character is flavored—the better the character will be.

Would you ever want to return to the Old West?

I’d be happy to. I’d be a gunfighter—I’d roam the land and take my life in my own hands. I’d survive by my own skill with a gun.

Wouldn’t you be scared of death?

What’s to fear?

Interesting response. How do you feel about the way readers have taken to your work?

I’ve been very happy with the response so far. Readers seem to like buying my books, and they seem to get a kick out of my characters. I’m very happy with the way things have turned out.

What’s next for you?

More books. What else? My work on Earth won’t be done until all my stories are told. I am currently having several of my books turned into audiobooks. That’s a great way to increase your readership. All the indications are that audiobooks are becoming more popular than ever.

Are you ready to ride the trail with fightin’ Jeff Breland? Download your copy of “Bad Day For The Hangman” today from Amazon by clicking here. You can discover more great Breland adventures by checking out his Amazon author page here today. Remember… If you are going to ride the trails with a book… Buy Breland!

bad day for the hangman cover